About Me
- Satima Flavell
- Perth, Western Australia, Australia
- I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.
My books
The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places.
The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell
Buy The Talismans
The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation.
The easiest way to contact me is via Facebook.
The Dagger of Dresnia
The Cloak of Challiver, Book two of The Talismans
Mythic Resonance
Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon.
Got a Kindle? Check out Mythic Resonance.
Follow me on Twitter
Share a link on Twitter
For Readers, Writers & Editors
- A dilemma about characters
- Adelaide Writers Week, 2009
- Adjectives, commas and confusion
- An artist's conflict
- An editor's role
- Authorial voice, passive writing and the passive voice
- Common misuses: common expressions
- Common misuses: confusing words
- Common misuses: pronouns - subject and object
- Conversations with a character
- Critiquing Groups
- Does length matter?
- Dont sweat the small stuff: formatting
- Free help for writers
- How much magic is too much?
- Know your characters via astrology
- Like to be an editor?
- Modern Writing Techniques
- My best reads of 2007
- My best reads of 2008
- My favourite dead authors
- My favourite modern authors
- My influential authors
- Planning and Flimmering
- Planning vs Flimmering again
- Psychological Spec-Fic
- Readers' pet hates
- Reading, 2009
- Reality check: so you want to be a writer?
- Sensory detail is important!
- Speculative Fiction - what is it?
- Spelling reform?
- Substantive or linking verbs
- The creative cycle
- The promiscuous artist
- The revenge of omni rampant
- The value of "how-to" lists for writers
- Write a decent synopsis
- Write a review worth reading
- Writers block 1
- Writers block 2
- Writers block 3
- Writers need editors!
- Writers, Depression and Addiction
- Writing in dialect, accent or register
- Writing it Right: notes for apprentice authors
Interviews with authors
My Blog List
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Favourite Sites
- Alan Baxter
- Andrew McKiernan
- Bren McDibble
- Celestine Lyons
- Guy Gavriel Kay
- Hal Spacejock (Simon Haynes)
- Inventing Reality
- Jacqueline Carey
- Jennifer Fallon
- Jessica Rydill
- Jessica Vivien
- Joel Fagin
- Juliet Marillier
- KA Bedford
- Karen Miller
- KSP Writers Centre
- Lynn Flewelling
- Marianne de Pierres
- Phill Berrie
- Ryan Flavell
- Satima's Professional Editing Services
- SF Novelists' Blog
- SF Signal
- Shane Jiraiya Cummings
- Society of Editors, WA
- Stephen Thompson
- Yellow wallpaper
Blog Archive
Places I've lived: Manchester, UK
Places I've lived: Gippsland, Australia
Places I've lived: Geelong, Australia
Places I've lived: Tamworth, NSW
Places I've Lived - Sydney
Places I've lived: Auckland, NZ
Places I've Lived: Mount Gambier
Places I've lived: Adelaide, SA
Places I've Lived: Perth by Day
Places I've lived: High View, WV
Places I've lived: Lynton, Devon, UK
Places I've lived: Braemar, Scotland
Places I've lived: Barre, MA, USA
Places I've Lived: Perth by Night
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Monday 9 February 2009
Lady of contrasts: an interview with Carol Ryles
Monday, February 09, 2009 |
Posted by
Satima Flavell
Another interview today: this time with Carol Ryles; writer, nurse, mother, scholar, trekker, crit buddy extraordinaire and one of the most modest people I know. Carol, like my last guest, Sarah Parker, is a member of the Katharine Susannah Prichard Speculative Fiction Group. She is studying for a PhD in creative writing at the University of Western Australia, and we can expect to see a novel or three at the end of all her hard work. Meantime, you will find her short stories in a variety of publications both in Oz and elsewhere.
Q1. Carol, you're a person who has successfully undertaken many different projects, both personally and professionally, during your adult life. You have been writing for some ten or fifteen years now. At what point did you decide to start taking your writing seriously rather than regarding it as "just a hobby"?
A1. I began to take writing seriously when I decided to switch from journal writing to fiction writing in 1997. However, back then, my children were aged three, five and eight, I'd just moved from Brisbane to Perth, and my writing time was very limited. Then in 2000, when my youngest started school, I decided I wanted to study, so the next 8 years were spent studying part time for an English BA with honours. At the time, it was frustrating because at most I could only manage to finish four stories a year even though I messed around writing a lot more. But now I've finished my BA, I can say it was all worth it. I think much more deeply about what I'm writing these days and, now I have a scholarship to keep me going through my PhD in creative writing, I have no excuse not to devote a full five days a week to writing.
Q2. You're obviously an adventurous person, being keen on sports such as cave diving and trekking. Do you find this kind of edgy contact with nature inspires or informs your writing in any way?
A2. During my recent trip on the Routeburn Track in NZ, I took a writing journal with me. In the end, I wrote very little, because all I wanted to do was walk, enjoy and gaze (or perhaps meditate) for hours at the scenery. I'd love to set a story in wilderness like I saw on the Routeburn. Even though Peter Jackson has already done that, I did manage to see at least one place that didn't remind me of LOTR :) When I look back on my scuba diving journals (1980s), I find lots of descriptions of what I saw, but what really makes me relive it all are the pages and pages dedicated to the times I found myself in potential trouble, such as being surrounded by reef sharks, or nearly running out of air on the seabed in a strong current, or nearly getting dynamited in the South China Sea. It's then that I'm reminded how it feels to be running on adrenaline when only moments before I'd been at peace with the world, and how, in wild places, there's a very fine line separating safety from danger. That boundary is a place I've been exploring a lot in my fiction of late. So I guess, it's not so much the places themselves that have inspired the stuff I'm writing now, but the ways in which those places made me feel.
Q3. It's possible to track your writing career since 1998, when you were highly commended in the first Katharine Susannah Prichard Speculative Fiction competition. Since then, you've gone from strength to strength, more shortlistings and highly commendeds and then winning the KSP competition in 2004. You were given an honourable mention in the Aurealis Award and shortlisted for the Australian Shadow Awards in 2006, and in 2007 you completed an honours degree in English. Then in 2008 you not only started working towards a PhD but you were also accepted for the Clarion West "bootcamp" in Seattle, USA. Of all these endeavours, which has held the most meaning and sense of achievement for you?
A3. All of them surprised the hell out of me, especially the KSP award in 1998 because that was my first serious attempt at writing SF. I can't say which endeavour has held the most meaning, because they all mean different things. But right now Clarion West holds a special place because it was something I'd wanted to do since I first heard about it 10 years ago. It was also the first time I'd left my family to fend for themselves, though they're mostly grown up now, but it was great to see they coped. Also, I was terrified I wouldn't be able to deliver a story every week only to have each one pulled to pieces. In the end I amazed myself by doing just that. The one thing I loved about writing under Clarion conditions is that, not only do your writing strengths shine, but so do your weaknesses. As a result, you spend an entire six weeks figuring out the hows, whys and wherefores. Now I'm home again, I look back on the whole experience as a huge privilege that taught me more than I could have ever learned tapping away at a keyboard on my own. It gave me confidence to keep going and try new things. Plus Seattle is a lovely city, with a generous and vibrant SF community. I came home full of new ideas, new ambitions, my batteries recharged and ready to start my PhD.
Q4. You've had many short stories published both here and overseas. Are you particularly proud of, or do you feel especially attached to, any one of them?
A4. For the amount of time that's elapsed since I started writing fiction, I haven't really published a huge number of stories: a couple in Eidolon, a couple with CSFG, one with Ticonderoga Online, another with Fables & Reflections and three or four in ezines such as AntiSF. I've written a whole stack more, but I haven't bothered sending them out anywhere because I don't like them enough for that. That's probably a defeatist attitude, but I could always see my early stories were flawed and couldn't figure out how to fix them. Again, Clarion has done a lot to help me in that area. Of all my stories, I think my favourite is "The Bridal Bier" (Eidolon 1 Anthology), which I wrote during a uni study break when I hadn't written any fiction for months and it felt wonderful letting the muse take over. It was actually a fictional rewriting of an essay I was working on and I loved the way my unconscious self reinterpreted what my conscious self was trying to make sense of. I'm also proud of my Clarion stories, which I plan to bring up to scratch before sending out this year. I wrote them during the equivalent of a major panic and, though they've yet to prove themselves, they've taught me a lot about myself as well as about my writing.
Q5. What are your goals for the next decade, and what most motivates you to achieve them?
A5. My writing goals for the next decade are to write every day, finish my novel, turn it into a trilogy, keep writing and submitting short stories and not give up. My trekking goals include a lot of kilometres in wild places with mountains, forests, mud and rain. And definitely no sharks.
No sharks, and no dynamite either, Carol. We want to read that trilogy:-)
You can find a link To Carol's LJ in my blogroll.
Q1. Carol, you're a person who has successfully undertaken many different projects, both personally and professionally, during your adult life. You have been writing for some ten or fifteen years now. At what point did you decide to start taking your writing seriously rather than regarding it as "just a hobby"?
A1. I began to take writing seriously when I decided to switch from journal writing to fiction writing in 1997. However, back then, my children were aged three, five and eight, I'd just moved from Brisbane to Perth, and my writing time was very limited. Then in 2000, when my youngest started school, I decided I wanted to study, so the next 8 years were spent studying part time for an English BA with honours. At the time, it was frustrating because at most I could only manage to finish four stories a year even though I messed around writing a lot more. But now I've finished my BA, I can say it was all worth it. I think much more deeply about what I'm writing these days and, now I have a scholarship to keep me going through my PhD in creative writing, I have no excuse not to devote a full five days a week to writing.
Q2. You're obviously an adventurous person, being keen on sports such as cave diving and trekking. Do you find this kind of edgy contact with nature inspires or informs your writing in any way?
A2. During my recent trip on the Routeburn Track in NZ, I took a writing journal with me. In the end, I wrote very little, because all I wanted to do was walk, enjoy and gaze (or perhaps meditate) for hours at the scenery. I'd love to set a story in wilderness like I saw on the Routeburn. Even though Peter Jackson has already done that, I did manage to see at least one place that didn't remind me of LOTR :) When I look back on my scuba diving journals (1980s), I find lots of descriptions of what I saw, but what really makes me relive it all are the pages and pages dedicated to the times I found myself in potential trouble, such as being surrounded by reef sharks, or nearly running out of air on the seabed in a strong current, or nearly getting dynamited in the South China Sea. It's then that I'm reminded how it feels to be running on adrenaline when only moments before I'd been at peace with the world, and how, in wild places, there's a very fine line separating safety from danger. That boundary is a place I've been exploring a lot in my fiction of late. So I guess, it's not so much the places themselves that have inspired the stuff I'm writing now, but the ways in which those places made me feel.
Q3. It's possible to track your writing career since 1998, when you were highly commended in the first Katharine Susannah Prichard Speculative Fiction competition. Since then, you've gone from strength to strength, more shortlistings and highly commendeds and then winning the KSP competition in 2004. You were given an honourable mention in the Aurealis Award and shortlisted for the Australian Shadow Awards in 2006, and in 2007 you completed an honours degree in English. Then in 2008 you not only started working towards a PhD but you were also accepted for the Clarion West "bootcamp" in Seattle, USA. Of all these endeavours, which has held the most meaning and sense of achievement for you?
A3. All of them surprised the hell out of me, especially the KSP award in 1998 because that was my first serious attempt at writing SF. I can't say which endeavour has held the most meaning, because they all mean different things. But right now Clarion West holds a special place because it was something I'd wanted to do since I first heard about it 10 years ago. It was also the first time I'd left my family to fend for themselves, though they're mostly grown up now, but it was great to see they coped. Also, I was terrified I wouldn't be able to deliver a story every week only to have each one pulled to pieces. In the end I amazed myself by doing just that. The one thing I loved about writing under Clarion conditions is that, not only do your writing strengths shine, but so do your weaknesses. As a result, you spend an entire six weeks figuring out the hows, whys and wherefores. Now I'm home again, I look back on the whole experience as a huge privilege that taught me more than I could have ever learned tapping away at a keyboard on my own. It gave me confidence to keep going and try new things. Plus Seattle is a lovely city, with a generous and vibrant SF community. I came home full of new ideas, new ambitions, my batteries recharged and ready to start my PhD.
Q4. You've had many short stories published both here and overseas. Are you particularly proud of, or do you feel especially attached to, any one of them?
A4. For the amount of time that's elapsed since I started writing fiction, I haven't really published a huge number of stories: a couple in Eidolon, a couple with CSFG, one with Ticonderoga Online, another with Fables & Reflections and three or four in ezines such as AntiSF. I've written a whole stack more, but I haven't bothered sending them out anywhere because I don't like them enough for that. That's probably a defeatist attitude, but I could always see my early stories were flawed and couldn't figure out how to fix them. Again, Clarion has done a lot to help me in that area. Of all my stories, I think my favourite is "The Bridal Bier" (Eidolon 1 Anthology), which I wrote during a uni study break when I hadn't written any fiction for months and it felt wonderful letting the muse take over. It was actually a fictional rewriting of an essay I was working on and I loved the way my unconscious self reinterpreted what my conscious self was trying to make sense of. I'm also proud of my Clarion stories, which I plan to bring up to scratch before sending out this year. I wrote them during the equivalent of a major panic and, though they've yet to prove themselves, they've taught me a lot about myself as well as about my writing.
Q5. What are your goals for the next decade, and what most motivates you to achieve them?
A5. My writing goals for the next decade are to write every day, finish my novel, turn it into a trilogy, keep writing and submitting short stories and not give up. My trekking goals include a lot of kilometres in wild places with mountains, forests, mud and rain. And definitely no sharks.
No sharks, and no dynamite either, Carol. We want to read that trilogy:-)
You can find a link To Carol's LJ in my blogroll.
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4 comments:
Satima --
Good interview.
Marilyn
Your turn next:-)