About Me

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Perth, Western Australia, Australia
I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.

My books

The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places. The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell

Buy The Talismans

The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation. The easiest way to contact me is via Facebook.

The Dagger of Dresnia

The Dagger of Dresnia

The Cloak of Challiver, Book two of The Talismans

The Cloak of Challiver, Book two of The Talismans
Available as an e-book on Amazon and other online booksellers.

Mythic Resonance

Mythic Resonance

Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon. Got a Kindle? Check out Mythic Resonance.

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Blog Archive

Places I've lived: Manchester, UK

Places I've lived: Manchester, UK

Places I've lived: Gippsland, Australia

Places I've lived: Gippsland, Australia

Places I've lived: Geelong, Australia

Places I've lived: Geelong,  Australia

Places I've lived: Tamworth, NSW

Places I've lived: Tamworth, NSW

Places I've Lived - Sydney

Places I've Lived - Sydney
Sydney Conservatorium - my old school

Places I've lived: Auckland, NZ

Places I've lived: Auckland, NZ

Places I've Lived: Mount Gambier

Places I've Lived: Mount Gambier
Blue Lake

Places I've lived: Adelaide, SA

Places I've lived: Adelaide, SA

Places I've Lived: Perth by Day

Places I've Lived: Perth by Day
From Kings Park

Places I've lived: High View, WV

Places I've lived: High View, WV

Places I've lived: Lynton, Devon, UK

Places I've lived: Lynton, Devon, UK

Places I've lived: Braemar, Scotland

Places I've lived: Braemar, Scotland

Places I've lived: Barre, MA, USA

Places I've lived: Barre, MA, USA

Places I've Lived: Perth by Night

Places I've Lived: Perth by Night
From Kings Park

Inner Peace Blog

Inner Peace Blog
Awarded by Joanna Fay. Click on the image to visit her lovely website!

Versatile Blogger Award

Versatile Blogger Award
Awarded by Kim Falconer. Click on the pic to check out her Quantum Astrology blog!

Fabulous Blog Award

Fabulous Blog Award
Awarded by Kathryn Warner. Click on the pic to check out her Edward II blog!

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Sunday, 29 April 2012

Joanna Fay's debut novel

My good friend Joanna Fay, a fellow member of Egoboo (our crit group) is going through an exciting time. Her first novel, Daughter of Hope, is about to be published by a Real Live Publishing House, Musa, in America.


Daughter of Hope is the first book in a quartet, a huge story that Jo has been working on, on and off, for several decades. It's a wonderfuly imginative story about winged beings who inhabit a world where they live on the inside of the planet's crust instead of the outside - but of course, they are just like us in that they make love and war, and they display the properties of good and evil just as we do. Joanna Fay's baddies are very, very bad. You would not want to meet them on a dark night or even a clear one!


We of the Egoboo group are very proud of Jo - she is, after all, the first of us to sell a long work to a publishing house! I'll let you know when Daughter of Hope is ready for you to buy online!


Monday, 9 April 2012

Another Swancon comes and goes

Easter is over and I’m feeling sad. That’s because Swancon, the annual Western Australian Science Fiction Convention, is over for another year. Every year, as summer draws to a close, I start to look forward to four days of socialising with fellow fans and sitting in on panels — usually in the audience but sometimes on the podium — about books, writing and other topics of interest to aficionados of genre fiction in all its forms. This is the eighth one I have attended and Swancon has never yet disappointed me. There are always interesting, knowledgeable guests from Australia and overseas, as well as plenty of good company.

This year was no exception. We had two excellent Guests of Honour: American author Brandon Sanderson, successor to the late Robert Jordan and author of well over a dozen excellent books and the very versatile and gifted Marianne de Pierres, author of the Sentients of Orion trilogy, the Parrish Plessis series and, writing as Marianne Delacourt, the Tara Sharp books, as well as several novels for teenagers.

Local authors, including Bevan McGuiness, Stephen Dedman and Sue Isles, also lent their presence to various panel discussions on books, comics, games, reading, writing, authors, film, TV programs – two or three panels or talks in an average of eight time slots on each of four days. There is no way any one person could be at all of them!

There were a couple of book launches, several author talks, classes on subjects as diverse as poi twirling, how to run a convention and how to play the game ‘Magic the Gathering’, a favourite pastime of our overseas guest, Brandon Sanderson.

I always enjoy the panels on the techniques of writing. Our guests offered many hints on finishing a manuscript, breaking through writers’ block, inventing new worlds and other aspects of the craft, among other salient subjects.

I was involved in three panels: one on how to rewrite or revise a manuscript, one on how fairy tales are used in modern films and books and one on what happens — or should happen! — after you’ve finished your manuscript. I thoroughly enjoyed all of them as I had excellent team mates including my fellow Egobooers Helen Venn and Carol Ryles and fellow editors Alisa Krasnostein and Jonathan Strahan.

But sadly, it’s all over now until next year.Hopefully, I'll be able to attend at least a couple more cons before then.
Monday, 2 April 2012

Do you know about Writer Beware?

A client recently wrote to me asking if it was OK for an agent who was interested in his MS to offer an assessment – at a price. My ‘Writer Beware’ antennae went up at once.

By and large, it's considered unprofessional for an agent to try to sell services to potential clients. There are many, many agents around - some with the best of intentions but with very little professionalism - who add extra services to their practice because the agency itself isn't making enough to live on. That being the case, can that person be the best possible agent for you? I suspect not. Personally I think full MS assessments are a waste of money in any case. I only offer 'mini-assessments' because you can usually see a writer's main problems within the first twenty pages or so. After that, the process turns into mentoring while the writer improves his or her skills prior to a full edit.

Remember, too, that you can go on altering a book in line with conflicting advice until you've actually wrecked the story. No two critiquers will ever agree completely on what's needed to 'fix' a book, and quite often their views will be diametrically opposed. Ultimately, you have to rely on your own judgement. So take all advice – whether you’ve paid for it or not – with a pinch of salt.

If in doubt as to an agent’s credentials, check out Writer Beware. This highly respected website tells you just what you should and shouldn't get from an agent. Every writer should be aware of Writer Beware - it's one of the best sites for learning some of the ins and outs of the publishing game.

It's also not a bad idea to Google for an agent's name before submitting to see if anyone complains of bad experiences with the agency in question. The whole publishing game, including agents, is fraught with traps for the unwary.

Getting a foot in the door with a reputable agent has always been hard and at present seems to be almost impossible. But perhaps you don’t really need an agent. In Australia, Penguin, Allen & Unwin, Hachette and Momentum (a new e-book arm of PanMacmillan) are all currently open to unagented subs, as are several small presses. Good luck!
Sunday, 25 March 2012

On being an Aurealis judge

The Aurealis Awards are Australia's premier award for speculative fiction. There are fourteen awards each year, for best novel and best short story in each sub-genre (fantasy, horror and science fiction) together with best graphic novel, best young adult novel, best young adult short story, best children's novel, best children's illustrated work, best anthology and best collection. There is also the Peter McNamara Convenors' Award for excellence, which is judged by the convenors' panel. Each award requires three judges, which means the organisers have to find 39 good folk and true every year to undertake the onerous task. Several friends have been judges in the past and some have done it for several years in a row. 'How hard can it be?' I thought. 'I should also do my bit for the genre and put my hand up.'

And so it was that I came to be a judge for Fantasy Short Story section of the 2011 awards. Trust me to throw my hat in the ring for a year with a record number of entries! One hundred and seventy-two of them, to be precise. Eek!

We started reading at the end of 2011, and I seemed to be reading short stories back to back for over three months. Very little other reading and even less reviewing issued forth from my desk during the reading period, which co-incided with the final push to the finish line for the Specusphere's Mythic Resonance anthology, to which I was also committed. Remind me not to volunteer for two such major undertakings at the same time ever again!

The judging process for the Aurealis Awards is straightforward. Each of the three judges gives a mark out of ten to each and every story. The process is inevitably subjective. No matter how hard one tries to alot points for various essentials such as plot, structure, originality, quality of writing etc, in the end it comes down to personal preference. Furthermore, even though there were so many entries, we were bound by the contest rules, which stipulate that only five stories can go forward to the final round. And it is the five stories that attain the highest average mark, of course, that have to be selected. I gave the extremely high mark of 9.75 to one story, which I considered outstanding and as good as any short story I had ever read in my whole life, but sadly, one of the other judges didn't care for it at all so it didn't make the final cut.

In fact, of the 172 entries, I thought at least thirty were good enough to short-list. So there were at least 25 excellent stories that will never gain the appreciation they deserve, unless they are lucky enough to be among the winners in another award.

I was deeply saddened by this. We work so hard on our stories, but in the end it is the preferences of judges, agents or publishers that decides a story's fate.

I don't mean to gripe, because it's hard to imagine the system working any other way, but I do think it's sad that some excellent work never gets the exposure it deserves because it just doesn't happen to land on the desk of the right person at the right time. In the publishing world, for instance, a writer might have produced a lovely historical fantasy set in, say, China, and sends it to four literary agents. The first agent dislikes historical fantasy of all kinds and will not represent it. Another does not want any more historical fantasy writers at present, thank you. A third is looking for a historical fantasy set in Africa, not China. And the fourth has just signed an author with a nice Chinese historical fantasy, so will not want another any time in the near future. This is the kind of story that is repeated over and over again, be it in seeking an agent or a publisher or entering awards or competitions.

Oh well, to borrow an old saying, I guess 'that's showbusiness'! If we love writing enough, we'll keep writing anyway!

You can read the full list of 2011 Aurealis finalists in all sections at http://www.aurealisawards.com/finalists2011.pdf
Wednesday, 21 March 2012

Guest posts at The Great Raven


Over at The Great Raven blog, fellow scribe Sue Burstynski is running a series of guest posts from people who were involved in writing and/or producing the Mythic Resonance anthology. It was my turn earlier this week - you can read my post at http://suebursztynski.blogspot.com.au/2012/03/saga-of-short-story-by-satima-flavell.html - and while you're there, stay and check out some of the other guest posts! Collectively, they give quite a bit of insight into how such an anthology is put together.
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