The Aurealis Awards are Australia's premier award for speculative fiction. There are fourteen awards each year, for best novel and best short story in each sub-genre (fantasy, horror and science fiction) together with best graphic novel, best young adult novel, best young adult short story, best children's novel, best children's illustrated work, best anthology and best collection. There is also the Peter McNamara Convenors' Award for excellence, which is judged by the convenors' panel. Each award requires three judges, which means the organisers have to find 39 good folk and true every year to undertake the onerous task. Several friends have been judges in the past and some have done it for several years in a row. 'How hard can it be?' I thought. 'I should also do my bit for the genre and put my hand up.'

And so it was that I came to be a judge for Fantasy Short Story section of the 2011 awards. Trust me to throw my hat in the ring for a year with a record number of entries! One hundred and seventy-two of them, to be precise. Eek!

We started reading at the end of 2011, and I seemed to be reading short stories back to back for over three months. Very little other reading and even less reviewing issued forth from my desk during the reading period, which co-incided with the final push to the finish line for the Specusphere's Mythic Resonance anthology, to which I was also committed. Remind me not to volunteer for two such major undertakings at the same time ever again!

The judging process for the Aurealis Awards is straightforward. Each of the three judges gives a mark out of ten to each and every story. The process is inevitably subjective. No matter how hard one tries to alot points for various essentials such as plot, structure, originality, quality of writing etc, in the end it comes down to personal preference. Furthermore, even though there were so many entries, we were bound by the contest rules, which stipulate that only five stories can go forward to the final round. And it is the five stories that attain the highest average mark, of course, that have to be selected. I gave the extremely high mark of 9.75 to one story, which I considered outstanding and as good as any short story I had ever read in my whole life, but sadly, one of the other judges didn't care for it at all so it didn't make the final cut.

In fact, of the 172 entries, I thought at least thirty were good enough to short-list. So there were at least 25 excellent stories that will never gain the appreciation they deserve, unless they are lucky enough to be among the winners in another award.

I was deeply saddened by this. We work so hard on our stories, but in the end it is the preferences of judges, agents or publishers that decides a story's fate.

I don't mean to gripe, because it's hard to imagine the system working any other way, but I do think it's sad that some excellent work never gets the exposure it deserves because it just doesn't happen to land on the desk of the right person at the right time. In the publishing world, for instance, a writer might have produced a lovely historical fantasy set in, say, China, and sends it to four literary agents. The first agent dislikes historical fantasy of all kinds and will not represent it. Another does not want any more historical fantasy writers at present, thank you. A third is looking for a historical fantasy set in Africa, not China. And the fourth has just signed an author with a nice Chinese historical fantasy, so will not want another any time in the near future. This is the kind of story that is repeated over and over again, be it in seeking an agent or a publisher or entering awards or competitions.

Oh well, to borrow an old saying, I guess 'that's showbusiness'! If we love writing enough, we'll keep writing anyway!

You can read the full list of 2011 Aurealis finalists in all sections at http://www.aurealisawards.com/finalists2011.pdf

Over at The Great Raven blog, fellow scribe Sue Burstynski is running a series of guest posts from people who were involved in writing and/or producing the Mythic Resonance anthology. It was my turn earlier this week - you can read my post at http://suebursztynski.blogspot.com.au/2012/03/saga-of-short-story-by-satima-flavell.html - and while you're there, stay and check out some of the other guest posts! Collectively, they give quite a bit of insight into how such an anthology is put together.

And the reason for my upgrade is that the Specusphere's long-awaited anthology, Mythic Resonance, is hot off the press and ready for purchase. You can buy hard copy at the great price of only $19.95. An e-book version is also available for just $3.99! (See link in the margin.)

Mythic Resonance contains a lovely line-up of stories and authors, including my own effort, 'La Belle Dame'. It's a sad story (a spin-off, of course, from the Keats poem) but there are also funny ones and thought-provoking ones. We selected fourteen stories from over 50 submissions. I hope our readers will agree that we have a nice blend of adaptations from myths, legends and fairy tales. Here's the final line-up:

The Salted Heart — N A Sulway
The Everywhere and the Always — Alan Baxter
Annabel and the Witch — Paul Freeman
Through these eyes I see — Donna Maree Hanson
A Tale of Publication — Les Zigomanis
La Belle Dame — Satima Flavell
Glorious Destiny — Steven Gepp
Meeting my Renaissance Man — Vicky Daddo
Wetlands — Jen White
Man’s Best Friend — Tom Williams
In Paradise, Trapped — Kelly Dillon
Holly and Iron — Nigel Read
Brothers — Sue Bursztynski

So I'm in good company, aren't I? Several of those authors have novels in print and most of them have been published in other anthologies. And I didn't get on on the strength of being a Specusphere editor, either - the stories were read 'blind' and mine was picked by one of the readers as her favourite one of all!

The anthology was edited by Stephen Thompson, with contributing editors Amanda Greenslade, Sue Hammond, Linda Stewart and me, together with associate editors Astrid Cooper and Jennie Kremmer. Amanda is also responsible for the beautiful cover, all that tricky design and layout stuff and the atmospheric book trailer, which you can watch here on YouTube. If Amanda's lovely work whets your appetite, check out the story excerpts. I do hope you love them enough to buy a copy!