About Me
- Satima Flavell
- Perth, Western Australia, Australia
- I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.
My books
The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places.
The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell
Buy The Talismans
The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation.
The easiest way to contact me is via Facebook.
The Dagger of Dresnia
The Cloak of Challiver, Book two of The Talismans
Mythic Resonance
Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon.
Got a Kindle? Check out Mythic Resonance.
Follow me on Twitter
Share a link on Twitter
For Readers, Writers & Editors
- A dilemma about characters
- Adelaide Writers Week, 2009
- Adjectives, commas and confusion
- An artist's conflict
- An editor's role
- Authorial voice, passive writing and the passive voice
- Common misuses: common expressions
- Common misuses: confusing words
- Common misuses: pronouns - subject and object
- Conversations with a character
- Critiquing Groups
- Does length matter?
- Dont sweat the small stuff: formatting
- Free help for writers
- How much magic is too much?
- Know your characters via astrology
- Like to be an editor?
- Modern Writing Techniques
- My best reads of 2007
- My best reads of 2008
- My favourite dead authors
- My favourite modern authors
- My influential authors
- Planning and Flimmering
- Planning vs Flimmering again
- Psychological Spec-Fic
- Readers' pet hates
- Reading, 2009
- Reality check: so you want to be a writer?
- Sensory detail is important!
- Speculative Fiction - what is it?
- Spelling reform?
- Substantive or linking verbs
- The creative cycle
- The promiscuous artist
- The revenge of omni rampant
- The value of "how-to" lists for writers
- Write a decent synopsis
- Write a review worth reading
- Writers block 1
- Writers block 2
- Writers block 3
- Writers need editors!
- Writers, Depression and Addiction
- Writing in dialect, accent or register
- Writing it Right: notes for apprentice authors
Interviews with authors
My Blog List
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Favourite Sites
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- Inventing Reality
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Blog Archive
Places I've lived: Manchester, UK
Places I've lived: Gippsland, Australia
Places I've lived: Geelong, Australia
Places I've lived: Tamworth, NSW
Places I've Lived - Sydney
Places I've lived: Auckland, NZ
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Places I've Lived: Perth by Day
Places I've lived: High View, WV
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Places I've lived: Braemar, Scotland
Places I've lived: Barre, MA, USA
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Tuesday 25 March 2008
Satima, What's a Swancon?
Tuesday, March 25, 2008 |
Posted by
Satima Flavell
This time last year I was in Europe. I attended the Easter Eve service in a little country church in the Rhine Valley with my dear friend and cousin-by-marriage, Elfriede. A week later, I was back in England, catching up with Diana in London, and after that I met up with my Canadian e-cousin, Alison. We spent a wonderful weekend in the lovely medieval city of Winchester. The beauty and magnificence of that town’s famous cathedral will linger in my heart and mind forever, as will the delightful time spent in Alison’s company. That trip was one of the highlights of my life to date, giving me, as it did, opportunities to meet face-to-face with people I'd communicated with via the internet through our mutual interest in family history. This year at this time, my focus is on another of my passions - speculative fiction.
Alison and I chat regularly on Facebook, and yesterday I received a puzzled message from her. “Satima,” she asked, “what is a Swancon?” She had noted my excited posts to all and sundry, counting down the days to my favourite Easter activity. But living in Nova Scotia, how could she know that Swancon is the annual convention held by Perth’s speculative arts community since 1975? The black swan, you see, is Western Australia’s animal emblem, and the word convention is universally abbreviated to “con” by the communities that raise and support them. Hence “Swancon”.
A report on Swancon can only be like a report from one of the Blind Men in the Buddha’s parable of the elephant. You can feel the trunk, the ears, a leg or the tail, but never all four at once. In fact, Swancon is even worse, for as well as four streams of games, panels and talks running simultaneously, there is an art show and an auction/market. And although the attendees are all speculative arts enthusiasts, none has yet managed the art of even bi-location, let alone sesqui-location, so it just isn't possible to attend everything.
It seems to me that attendees fall into categories, and I shall attempt to delineate them for you: the Flavell system of sorting con-goers. First, there are the Readers, many of whom aspire to write - I count myself in this category. Then there are the Academics: people who are studying for masters or doctoral degrees or who are involved in lecturing or the archiving of speculative materials. Next, we have the Gamers, who can discuss World of Warcraft (or whatever game constitutes their particular addiction) in minute detail and aim to thrash the pants off anyone else addicted to the same pastime. There are also the Professionals – writers, publishers, artists and retailers, who, as well as loving the speculative arts, obviously have an interest in promoting their wares. And the biggest category of all is made up of the Fans, who just love attending cons for their own sake. Many of them are not only widely read, but can also discuss movies, TV shows, comics and the history of the speculative genres in considerable depth. However, it is apparent that fellowship is their main reason for attending cons. Many fans seldom go to talks or panels, but hang out in the foyer or one of the other open spaces, catching up on gossip and discussing the latest trends in things speculative.
There is considerable overlap among these divisions – most attendees would fit into more than one of them. The true Fans, however, can be identified by their almost universal proclivity for black clothes. (At least this has been true of every con I’ve attended, so if it isn’t universally so, blame my ignorance for the sweeping statement.) One almost starts to think that black clothing is compulsory, for in the foyer and the panel rooms one is surrounded by a veritable sea of black garments, with hardly a flash of colour in sight. I learnt after my first con to wear at least one black article so as not to look too eccentric.
Fans are the wonderful, hard-working people who make up the committees, do the fundraising and organizing and oversee the smooth running of the event. And it takes some doing. Fans form teams that vie with each other for the privilege of organising the next-but-one convention: that’s how long it takes to pull all the elements together. I dips me lid to these guys. This year’s event was organised by Anna Hepworth, Elaine Walker, Linda Deegan, Grant Watson, Dave Cake and a strong support crew. They deserve medals, every last one of them. Planning for next year’s event, to be held from 9-13 April 2009, is in the hard-working hands of PRK and his team. They already have Guests of Honour lined up and are busy planning fundraising events for the coming year.
Next time, I’ll give you more on the panels I attended and the other activities available to con-goers, but that’s enough for one lesson. Class dismissed:-)
Alison and I chat regularly on Facebook, and yesterday I received a puzzled message from her. “Satima,” she asked, “what is a Swancon?” She had noted my excited posts to all and sundry, counting down the days to my favourite Easter activity. But living in Nova Scotia, how could she know that Swancon is the annual convention held by Perth’s speculative arts community since 1975? The black swan, you see, is Western Australia’s animal emblem, and the word convention is universally abbreviated to “con” by the communities that raise and support them. Hence “Swancon”.
A report on Swancon can only be like a report from one of the Blind Men in the Buddha’s parable of the elephant. You can feel the trunk, the ears, a leg or the tail, but never all four at once. In fact, Swancon is even worse, for as well as four streams of games, panels and talks running simultaneously, there is an art show and an auction/market. And although the attendees are all speculative arts enthusiasts, none has yet managed the art of even bi-location, let alone sesqui-location, so it just isn't possible to attend everything.
It seems to me that attendees fall into categories, and I shall attempt to delineate them for you: the Flavell system of sorting con-goers. First, there are the Readers, many of whom aspire to write - I count myself in this category. Then there are the Academics: people who are studying for masters or doctoral degrees or who are involved in lecturing or the archiving of speculative materials. Next, we have the Gamers, who can discuss World of Warcraft (or whatever game constitutes their particular addiction) in minute detail and aim to thrash the pants off anyone else addicted to the same pastime. There are also the Professionals – writers, publishers, artists and retailers, who, as well as loving the speculative arts, obviously have an interest in promoting their wares. And the biggest category of all is made up of the Fans, who just love attending cons for their own sake. Many of them are not only widely read, but can also discuss movies, TV shows, comics and the history of the speculative genres in considerable depth. However, it is apparent that fellowship is their main reason for attending cons. Many fans seldom go to talks or panels, but hang out in the foyer or one of the other open spaces, catching up on gossip and discussing the latest trends in things speculative.
There is considerable overlap among these divisions – most attendees would fit into more than one of them. The true Fans, however, can be identified by their almost universal proclivity for black clothes. (At least this has been true of every con I’ve attended, so if it isn’t universally so, blame my ignorance for the sweeping statement.) One almost starts to think that black clothing is compulsory, for in the foyer and the panel rooms one is surrounded by a veritable sea of black garments, with hardly a flash of colour in sight. I learnt after my first con to wear at least one black article so as not to look too eccentric.
Fans are the wonderful, hard-working people who make up the committees, do the fundraising and organizing and oversee the smooth running of the event. And it takes some doing. Fans form teams that vie with each other for the privilege of organising the next-but-one convention: that’s how long it takes to pull all the elements together. I dips me lid to these guys. This year’s event was organised by Anna Hepworth, Elaine Walker, Linda Deegan, Grant Watson, Dave Cake and a strong support crew. They deserve medals, every last one of them. Planning for next year’s event, to be held from 9-13 April 2009, is in the hard-working hands of PRK and his team. They already have Guests of Honour lined up and are busy planning fundraising events for the coming year.
Next time, I’ll give you more on the panels I attended and the other activities available to con-goers, but that’s enough for one lesson. Class dismissed:-)
Labels:
conventions,
Swancon
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4 comments:
Boy you suddenly got very verbose there Satima, thanks for the explanation about Swancon and Natcon. I had figured out the con but not the first part. I enjoyed Glenda's pictures too - it was great to see you all and I didn't think you looked stunned at all.
Verbose? Moi? Never:-) I'm glad Glenda got some decent pics because mine are terrible of everyone!
Hi Satima,
Sounds like you had a great time. Must try to do the journey to Swancon one year it sounds like it could be a really great con. The idea of two years planning for the con sounds like a good one as well.
Hope you're not experiencing too much post con depression.
Phill.
I guess getting back to work and doing all the crits I owe will be one way of avoiding post-con depression!:-)