While I'm taking a break from the WIP I though I'd revamp a longish short story I wrote a couple of years ago. It doesn't quite work as a short story, and I’m planning on lengthening it into a novella or a novelette.

The trouble is that it is very difficult to sell works that are longer than 5,000ww but shorter than 90,000, unless they are intended for the Children's or Young Adults' markets. Some short story markets accept works up to 7,500ww, although many of them express a preference for shorter pieces. Stories between 7,500 and 15,000 words are especially hard to find homes for.

Occasionally, however, one does see markets advertising that they are seeking novellas or novelettes. But what is a novella? What is a novelette? How long is too long? How short is too short?

Seven and a half thousand words is the cut off point for most short story anthologies, although occasionally one sees this extended to 15,000ww. Most people today would, I think, call anything in between those two lengths a "novelette", but really, the definitions depend on who's writing them. The Science Fiction and Fantasy Writers of America web site defines a novel as a work of 40,000 words or more; a novella as a work of at least 17,500 words but under 40,000 words; a novelette as a work of at least 7,500 words but under 17,500 words and short story as a work of under 7,500 words. These are the definitions they use for their annual Nebula awards, undoubtedly one of the most prestigious awards in the industry, so perhaps these lengths can be considered "correct" for the speculative genres. However, a speculative fiction writer would be hard put to find a publisher willing to buy an adult work of 40,000ww. Most novels today, not counting the ubiquitous "fat fantasies" that sometimes run well over the 200,000ww mark, are between 95,000-150,000ww.

But outside the speculative genres there is great variance in opinion. Over at Google books , The Book of Literary Terms by Lewis Turco suggests that while the term novelette (or novelet) is a synonym for novella in most dictionaries, experts make a distinction between them: the novelette is a sort of romantic formula story while the novella is a serious work of fiction. This distinction is maintained elsewhere, one site declaring that novelettes are more likely to be termed "frothy", "trite" or "sentimental". The Concise Oxford English Dictionary online defines a novelette as "a short novel, typically a light romantic one", while a novella is "a short novel or a long short story", without any reference to length as a determining factor.

Writer Sandra M. Ulbrich uses the following definitions:
Vignette Less than 500 words
Short-Short 500-2000
Short Story 2,500-5,000
Novelette 5,000-14,000
Novella 15,000-40,000
Novel 40,000+
while over at Blurtit.com, Louise Gorman offers the following:
Flash fiction: 2,000 words or less, or sometimes 1,000 words or less
Short story: no less than 2,000 words, but no more than 7,500 words
Novelette: a work that is much shorter than a novel, usually around 7,500 to 17,500
Novella: a piece of work that is shorter than a novel, but longer than a novelette, usually 20,000 to 40,000 words long
Novel: a work that consists of 60,000 words or more
Epic: a work that consists of 200,000 words or more

In other words, there is no agreement on just how fiction works should be defined in terms of length, and the writer must consider the guidelines of each publisher before submitting work. But do we try to tailor works to a specific market, or simply write the story and then look for someone who wants works of that length? I think most writers would say the latter: a story can only be as long as it needs to be: extraneous "padding" will quickly bore the reader, and exposition that tells without showing in the interests of saving wordage is just as bad. Even so, some compromise is possible: I have seen 8,000ww stories cut by a thousand words or more with skilful editing.

Which leaves me where, exactly? Plugging along, trying to write an interesting tale with a very slight plot and trying to put tension into a froth and bubble story.

I'll let you know how it goes.

After nearly a week of solid work, The Specusphere Webzine #05 is ready for you to read here! Just look at all the goodies on offer:

Editorial
The English Curriculum by Stephen Thompson
Editorial afterthought—The elephant in the room by Stephen Thompson

Features
The quintessential speculative fiction album by Stephen Thompson
3 questions for The Specusphere by Stephen Thompson
Cyborg by Brendan David Carson
The Serendipity of Publishing by Astrid Cooper

Up and Coming
New Books from Gollancz for November-December 2008
New Releases from Orbit

People
Jaine Fenn in conversation with Maurie Breust
Juliet Marillier revisits Sevenwaters by Satima Flavell

Book Reviews
HEIR TO SEVENWATERS by Juliet Marillier reviewed by Carol Neist
AWAKENING by Lara Morgan reviewed by Carol Neist
THE BEAST WITHIN edited by Matt Hults reviewed by Maurie Breust, Brendan Carson, Felicity Dowker, Ross Murray and Simon Petrie
INFECTED by Scott Sigler reviewed by Felicity Dowker
THE NINTH CIRCLE by Alex Bell reviewed by Ross Murray
PRINCIPLES OF ANGELS by Jaine Fenn reviewed by Maurie Breust
THE BRIDE OF TIME by Dawn Thompson reviewed by Bobbi Sinha-Morey
THE LAST THEOREM by Arthur C. Clarke and Frederik Pohl reviewed by Ross Murray
NIGHT SHIFT by Lilith Saintcrow reviewed by Ross Murray
FLOOD by Stephen Baxter reviwed by Maurie Breust
ALL-STAR SUPERMAN Volume One (Comic) by Grant Morrison and Frank Quitely reviewed by Brendan Carson
GHOST WALK by Brian Keene reviewed by Bobbi Sinha-Morey
BEFORE I WAKE by Kathryn Smith reviewed by Bobbi Sinha-Morey
A DISTANT MAGIC by Mary Jo Putney reviewed by Bobbi Sinha-Morey

Fiction
Nigel's Evening by David Schembri
Call Waiting by Bill Youatt-Pine
The forever-green by Ashley Hibbert

I would especially like to thank my lovely team of reviewers - they've really excelled themselves this time! And as usual, special thanks to webmistress Amanda Greenslade for all her hard work.

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There are no pets at my new housesit, so I've been feeling a bit dog-deprived. But this is the next best thing - you might remember I told you a few weeks ago about how my doctor had a baby guide dog to look after? Well, here she is - dear little Alba. Whoever dreamed up the name had a sense of humour because this little doggie is neither white nor English. She's grown quite a bit since I last saw her, but she's as cute as ever.

Alba's foster mum says she's proving very easy to train. Apparently she's learnt to wee and poo on command, and having potty trained several children as well as countless animals, I must say I find that amazing!

It is a wonderful thing that folk are willing to open their homes and hearts to a puppy that won't be theirs forever, and the success of guide dogs must be due in a large part to these kind people. If you live in Western Australia, you can learn how to become a foster parent to a guide dog yourself here. (Other states and countries have their own guide dog associations, all of whom do very worthwhile work.) As I understand it, you must be able to take the puppy to work with you as that's part of their training.

Seeing Alba reminded me that when I was at university there was a blind guy in one of my classes. He used to sit in the ref surrounded by gushing girls, and finally he must've got sick of playing second string to a dog, because once, when one of them said 'Oh, isn't he gorgeous!' the owner replied in a bored voice 'Yeah, and the dog's not bad, either!'

I had a lovely day on Sunday at a BBQ hosted by my writerly friend Carol Ryles. Carol held one of these last year and this one was even better, so I'm looking forward to next year's already!

In other news, both my Face-to-Face writers group and my on-line one are not happy with the way I've structured my WIP. The consensus seems to be that Ellyria, my MC, is pretty boring. Not good. However, writing buddy Tom Edwards has suggested that I turn the only really exciting thing she does into a prologue and then try to work the first 25% of the book in as back story, placing more emphasis on the romance element. It's a big ask, but I'll give it a try. One day before I die I'll have a publishable novel!

Time, I think, to set the WIP aside for a few weeks. It's all down except the two sex scenes, which have got to be so special I really don't want to tackle them without adequate thought and preparation. You can see that I'm already over my projected first draft target, and I suspect that the book will eventually come in at about 130-odd thousand words. In the meantime, I'll start outlining book two.

But not just yet! This next couple of weeks are going to be busy. I have loads of critting to catch up on, including half a Fat Fantasy I'm beta reading (more on that another time: for now, just be assured it's a great read!) and there's a Specusphere deadline looming on the first of November, which means there are books to review and reviews to edit. What's more, it's tax time, so there's a busy fortnight ahead of me.

Having finished my Freddie-minding for now (although I hope to do more of it next year) I'm back with my son in Mount Lawley for this week. Next weekend I shall move to Subiaco to house sit for friends who are off to India for a month. I'll probably be doing quite a bit of socialising over the next few weeks as I won't see my Perth friends again for several months after I head back to Mount Gambier on 23 November.

I'll be taking some super memories back, though. Today I was at the Wastelands Convention, which was organised by fannish friends John Parker and Sarah Parker. Helen Venn and I were on a panel with John and Sarah about running a small convention. We all agreed that it's hard work but very, very rewarding. Carol Ryles, a very talented lady who plays a mean game of Scrabble, read a paper on Steampunk (the theme of the con) which she is researching for her PhD thesis. Sadly, I couldn't get there yesterday but I'm told Carol was right on form.

I'm really pleased to see that there are at least two genre writers, including Juliet Marillier and Anthony Eaton , short-listed for this year's Western Australia's Premier's Award for Literature. I'd like to think that attitudes towards genre writing are slowly changing as people realise that genre and excellence in writing can often be found within the same covers. Certainly this is true of Juliet Marillier's Cybele's Secret, a historical fantasy full of intrigue and mystery that appeals to real grown up readers, not just its target audience of Young Adults. I haven't yet read Anthony Eaton's offering, but I do plan on rectifying that asap.

There is little doubt that we are spoilt for talent here in the West. I feel privileged to know so many gifted and enthusiastic people.