About Me
- Satima Flavell
- Perth, Western Australia, Australia
- I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.
My books
The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places.
The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell
Buy The Talismans
The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation.
The easiest way to contact me is via Facebook.
The Dagger of Dresnia
The Cloak of Challiver, Book two of The Talismans
Mythic Resonance
Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon.
Got a Kindle? Check out Mythic Resonance.
Follow me on Twitter
Share a link on Twitter
For Readers, Writers & Editors
- A dilemma about characters
- Adelaide Writers Week, 2009
- Adjectives, commas and confusion
- An artist's conflict
- An editor's role
- Authorial voice, passive writing and the passive voice
- Common misuses: common expressions
- Common misuses: confusing words
- Common misuses: pronouns - subject and object
- Conversations with a character
- Critiquing Groups
- Does length matter?
- Dont sweat the small stuff: formatting
- Free help for writers
- How much magic is too much?
- Know your characters via astrology
- Like to be an editor?
- Modern Writing Techniques
- My best reads of 2007
- My best reads of 2008
- My favourite dead authors
- My favourite modern authors
- My influential authors
- Planning and Flimmering
- Planning vs Flimmering again
- Psychological Spec-Fic
- Readers' pet hates
- Reading, 2009
- Reality check: so you want to be a writer?
- Sensory detail is important!
- Speculative Fiction - what is it?
- Spelling reform?
- Substantive or linking verbs
- The creative cycle
- The promiscuous artist
- The revenge of omni rampant
- The value of "how-to" lists for writers
- Write a decent synopsis
- Write a review worth reading
- Writers block 1
- Writers block 2
- Writers block 3
- Writers need editors!
- Writers, Depression and Addiction
- Writing in dialect, accent or register
- Writing it Right: notes for apprentice authors
Interviews with authors
My Blog List
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Favourite Sites
- Alan Baxter
- Andrew McKiernan
- Bren McDibble
- Celestine Lyons
- Guy Gavriel Kay
- Hal Spacejock (Simon Haynes)
- Inventing Reality
- Jacqueline Carey
- Jennifer Fallon
- Jessica Rydill
- Jessica Vivien
- Joel Fagin
- Juliet Marillier
- KA Bedford
- Karen Miller
- KSP Writers Centre
- Lynn Flewelling
- Marianne de Pierres
- Phill Berrie
- Ryan Flavell
- Satima's Professional Editing Services
- SF Novelists' Blog
- SF Signal
- Shane Jiraiya Cummings
- Society of Editors, WA
- Stephen Thompson
- Yellow wallpaper
Blog Archive
Places I've lived: Manchester, UK
Places I've lived: Gippsland, Australia
Places I've lived: Geelong, Australia
Places I've lived: Tamworth, NSW
Places I've Lived - Sydney
Places I've lived: Auckland, NZ
Places I've Lived: Mount Gambier
Places I've lived: Adelaide, SA
Places I've Lived: Perth by Day
Places I've lived: High View, WV
Places I've lived: Lynton, Devon, UK
Places I've lived: Braemar, Scotland
Places I've lived: Barre, MA, USA
Places I've Lived: Perth by Night
Search This Blog
Monday, 11 June 2007
England in Retrospect
Monday, June 11, 2007 |
Posted by
Satima Flavell
Dear bloggie, did you think I'd forgotten you? Once again I've had only limited internet access so blogging has taken second place to checking e-mails and looking after mailing lists. However, I've now settled into a very comfortable house-sit in Mount Claremont, Perth, where I expect to stay for another week or two. I've caught up with most of my friends and have had some wonderfully warm welcomes. Good old Carol put on a BBQ for KSP members to get together and once we'd finished scoffing all the delicious tucker Carol and her mum had prepared for us we talked writing until we were hoarse. I've also had one meeting with my lovely Face-to-Face crit group, with super feedback on the opening chapters of my WIP - a whole fresh start on The Trilogy. Note upper case. The Trilogy has taken over so much head space that it really should be called The Encyclopedia Satimica.
Who in their right minds decides to start their writing career with a trilogy? Well, I did write one novel beforehand but that was very much a praccie run and no one likes it except me:-) I've had a few goes at short stories but they don't seem to be my thing. Casts of thousands and complicated plots are what I like best. (Read George RR Martin if you don't know the kind of thing I mean.) However, it was probably a bit greedy to try and write a trilogy in that style right off, and for three or four years I've been bogged down in a superfluity of characters and situations that don't go anywhere. What's more, all my characters seem to have loads of friends and siblings who want to be in the story too, so it's been very much a learning process for all of us:-)
I'm back in the writing fray now, however, and I'm sure my recent travels will continue to simmer in the stockpot of my mind and eventually become entries in the aforementioned Enclyopedia Satimica. All that history: the wonderful old buildings; the graves of ancestors; Canterbury Tales; the house where Jane Austen spent the last weeks of her life; the Sedgley Beacon, the amazing C18 house A la Ronde in Devon; sites of ancient battles; Roman and Saxon artefacts - all that and more, especially the glorious English countryside, will be fuel for the creative flames. (Although in my case perhaps 'the creative flimmer' would be a better description.) But much as I love the land of my birth, I would not want to live there.
Why? Well, basically, the place is overpopulated. The most obvious consequence of this (apart from the overcrowded roads) is the style of housing. So many rows of red brick terraces with no focal point eventually made me want to scream out for some open space with individually designed houses set on their own plots of land, like the ones we have traditionally preferred in Australia. English houses tend to be dark and stuffy inside, too, with poky little rooms. Add the almost sunless climate and you have a recipe for severe depression. Mind you, when they do have a genuinely fine day in England it is idyllic, but you can expect to see, at best, half a dozen such in any given year. And there are some truly beautiful houses, but the cost would be way out reach of the average person. We think housing is expensive in Oz, but it's twice as dear in England, whether you are renting or buying.
Which brings me to my other major gripe: the cost of living in the UK. It is positively scary, especially if you're on a pension. There was so much more I wanted to see and couldn't because even a short bus ride set me back the equivalent of $AUS10! For the price of a round trip coach ride from Exeter to York I could travel halfway from Perth to Bali. Not that I'd want to do that, of course, since I'd be in the briney, but the fact is you can travel three times the distance in Oz for the same price. And the trains are even dearer.
It is very expensive to eat out, too - here in Perth I am used to meeting friends for coffee once or twice a week and it doesn't break even my pension-based budget, but in England, with a badly made capuccino costing the equivalent of $AUS5, that just wouldn't be a goer. And if you like to dine out, forget it. Clare took me to a carvery one day and it cost £11 each - and that was on special. Eleven pounds, dear reader, is about $AUS27, for which we could have as much meat as we liked (fine of you're not a vegetarian!) and a serve of baked spud and overcooked cabbage. No salad. No dessert. No coffee. Eleven quid. I truly don't know how pensioners keep their heads above water in England, let alone have any quality of life.
The banking system is way behind that of Oz, too. ATMs in England generally only cater for credit cards, so you can't take money from your savings account and nor can you make a deposit. And there are charming ideosyncracies in the transport system as well - you can book the same train fare, for instance, in six different parts of the country and pay six different - and widely varying - prices.
The funniest thing though, transport-wise, happened when I tried to find a timetable of buses between Winchester and Salisbury at a bus company's office in Winchester. "You'll have to go to Salisbury for that, love," said the woman at the desk.
"But how can I get to Salisbury to get a timetable if I don't know when the buses go?" I asked.
The woman shook her head impatiently, "Different bus company, love. They don't have an office in Winchester." It obviously hadn't occurred to the bus companies concerned that they could stock each other's timetables. No wonder tourism in England is such a hit and miss affair.
Oh, and if you're into hostelling, be warned - the YHA's prices can actually be anything up to twice the advertised rate.
So I'm glad to be back in Oz, and I'm glad I went to England too, even though my credit card is maxed out, my cheque account's in overdraft and my savings account contains $50. I am deeply grateful to my sister Clare and all the other kind people who not only made the trip possible but opened their homes and hearts to me as well. I wish you all lived in Australia:-)
Who in their right minds decides to start their writing career with a trilogy? Well, I did write one novel beforehand but that was very much a praccie run and no one likes it except me:-) I've had a few goes at short stories but they don't seem to be my thing. Casts of thousands and complicated plots are what I like best. (Read George RR Martin if you don't know the kind of thing I mean.) However, it was probably a bit greedy to try and write a trilogy in that style right off, and for three or four years I've been bogged down in a superfluity of characters and situations that don't go anywhere. What's more, all my characters seem to have loads of friends and siblings who want to be in the story too, so it's been very much a learning process for all of us:-)
I'm back in the writing fray now, however, and I'm sure my recent travels will continue to simmer in the stockpot of my mind and eventually become entries in the aforementioned Enclyopedia Satimica. All that history: the wonderful old buildings; the graves of ancestors; Canterbury Tales; the house where Jane Austen spent the last weeks of her life; the Sedgley Beacon, the amazing C18 house A la Ronde in Devon; sites of ancient battles; Roman and Saxon artefacts - all that and more, especially the glorious English countryside, will be fuel for the creative flames. (Although in my case perhaps 'the creative flimmer' would be a better description.) But much as I love the land of my birth, I would not want to live there.
Why? Well, basically, the place is overpopulated. The most obvious consequence of this (apart from the overcrowded roads) is the style of housing. So many rows of red brick terraces with no focal point eventually made me want to scream out for some open space with individually designed houses set on their own plots of land, like the ones we have traditionally preferred in Australia. English houses tend to be dark and stuffy inside, too, with poky little rooms. Add the almost sunless climate and you have a recipe for severe depression. Mind you, when they do have a genuinely fine day in England it is idyllic, but you can expect to see, at best, half a dozen such in any given year. And there are some truly beautiful houses, but the cost would be way out reach of the average person. We think housing is expensive in Oz, but it's twice as dear in England, whether you are renting or buying.
Which brings me to my other major gripe: the cost of living in the UK. It is positively scary, especially if you're on a pension. There was so much more I wanted to see and couldn't because even a short bus ride set me back the equivalent of $AUS10! For the price of a round trip coach ride from Exeter to York I could travel halfway from Perth to Bali. Not that I'd want to do that, of course, since I'd be in the briney, but the fact is you can travel three times the distance in Oz for the same price. And the trains are even dearer.
It is very expensive to eat out, too - here in Perth I am used to meeting friends for coffee once or twice a week and it doesn't break even my pension-based budget, but in England, with a badly made capuccino costing the equivalent of $AUS5, that just wouldn't be a goer. And if you like to dine out, forget it. Clare took me to a carvery one day and it cost £11 each - and that was on special. Eleven pounds, dear reader, is about $AUS27, for which we could have as much meat as we liked (fine of you're not a vegetarian!) and a serve of baked spud and overcooked cabbage. No salad. No dessert. No coffee. Eleven quid. I truly don't know how pensioners keep their heads above water in England, let alone have any quality of life.
The banking system is way behind that of Oz, too. ATMs in England generally only cater for credit cards, so you can't take money from your savings account and nor can you make a deposit. And there are charming ideosyncracies in the transport system as well - you can book the same train fare, for instance, in six different parts of the country and pay six different - and widely varying - prices.
The funniest thing though, transport-wise, happened when I tried to find a timetable of buses between Winchester and Salisbury at a bus company's office in Winchester. "You'll have to go to Salisbury for that, love," said the woman at the desk.
"But how can I get to Salisbury to get a timetable if I don't know when the buses go?" I asked.
The woman shook her head impatiently, "Different bus company, love. They don't have an office in Winchester." It obviously hadn't occurred to the bus companies concerned that they could stock each other's timetables. No wonder tourism in England is such a hit and miss affair.
Oh, and if you're into hostelling, be warned - the YHA's prices can actually be anything up to twice the advertised rate.
So I'm glad to be back in Oz, and I'm glad I went to England too, even though my credit card is maxed out, my cheque account's in overdraft and my savings account contains $50. I am deeply grateful to my sister Clare and all the other kind people who not only made the trip possible but opened their homes and hearts to me as well. I wish you all lived in Australia:-)
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