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We are more than half way through November and I have not written a blog post. Life goes on as usual: Mondays and Tuesdays I teach dance. W...

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I am a writer, editor, reviewer and dance teacher based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops. Book two, The Cloak of Challiver, will be available again shortly. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website, and I still teach dance at Trinity School for Seniors, an outreach program of the Uniting Church in Perth.

My books

The first novel of my trilogy, The Talismans, is available as an e-book from Smashwords, Amazon and other online sellers. I do have paperbacks of The Dagger of Dresnia at the low price of $AU25 including postage within Australia. I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below. Book two of the trilogy, The Cloak of Challiver, will be available again shortly. The best way to contact me is via Facebook!

Buy The Talismans

The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. Book one, The Dagger of Dresnia, is up on the usual bookselling web sites as an e-book, and I have a few hard copies to sell to those who prefer Real Paper. Book Two, The Cloak of Challiver, will be available soon. The easiest way to contact me is via Facebook.

The Dagger of Dresnia

The Dagger of Dresnia
Want a copy? Contact me at satimafn(at)gmail.com

The Cloak of Challiver

The Cloak of Challiver
Available again as an ebook soon!

Mythic Resonance

Buy Mythic Resonance

Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon. Got a Kindle? Check out Mythic Resonance.

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Saturday, 16 April 2016

Dancing, dancing, dancing!


Isn’t it funny how sometimes we appear to have all the time in the world, and can sneak snacks and naps into our schedules, and other times we seem to be flat out from dawn to dusk for weeks on end. Then, just as we are about to crawl into a hole to die in peace and quiet, things ease off again. This last month has been one of those busy times for me. It culminated in a very enjoyable but terribly busy week that is now drawing to a close.
Keti Sharif

Last weekend was a highlight. Keti Sharif, one of the movers and shakers of the Australian belly dance scene, held a three-day workshop at Margaret River. I joined seven keen dancers, including several other mature ladies, in an intensive timetable that involved up to five or six hours dancing a day. That’s rather a lot of exercise for a dancer in her seventies, but I stayed on my feet and, of course, learnt a lot.

Keti Sharif has devised a training system called A-Z. She has created a graded series of twenty-six short routines, and by the time the student has mastered all of them she will have a pretty good idea of the basics of the dance style. I am nowhere near mastery, but Keti gave me a tick for the first five routines. I sort-of stumbled through the others.

At my age, memory is problem. Because of my earlier dance training, I don’t find it hard to pick up new steps, but remembering to do them in a set order is, shall we say, a bit of a challenge. However, I am not easily discouraged and I plan to go to another workshop with Keti mid-year. You can learn more about Keti and her work at http://www.ketisharif.com/

Of course, I got home to find three-hundred-odd emails waiting for attention. Having an interest in conservation and human rights (among other things!) I get a lot of emails from political and charitable concerns. As a rule I do like to read their news, but even being a bit ruthless, it took me a couple of days to catch up on the backlog because more were coming in all the time. By the end of the third day I felt as though I was drowning in a sea of pixels. Add a few appointments and a couple of very enjoyable social outings and you have an exhausting week to look back on.

Next weekend is Shakespeare's birthday, and today we have a rehearsal for an extract from A Midsummer Night's Dream that committee members of the Shakespeare Club of WA are preparing to present at the club's party. Then, maybe, this busy period will be over. I'll let you know in the next post!

2 comments:

Sue Bursztynski said...

Sounds like you've had a lot of fun! I wish I had the time and energy to go back to belly dancing but after a long day at work, travelling out somewhere for classes and then home late, every week is a bit much. I had a wonderful teacher - she moved away to a place I just couldn't reach - and after her, the next couple of teachers I tried just weren't the same. They taught the opposite of what she had and I wasn't going to unlearn the good things I'd learned from a fine teacher. Besides, if I don't come home exhausted, it wasn't a proper class! ;-) And they didn't exhaust me.

So, what role are you playing in The Dream?

Satima Flavell said...

I think the good thing about belly dancing, Sue, is that it's quite suitable for all age groups. Some teachers run classes for little kids - boys as well as girls - and the technique can only make them stronger and better co-ordinated due to all the isolation-type movements and the layering. Older people get a lot of benefit too. I'm lucky in that a/ I'm retired and b/ one of the local seniors centres runs the classes for only $5 a time. The ladies are all over 55 and the oldest is well over 80. So maybe when you retire you'll be able to find a good teacher and take it up again.

We're doing the Rude Mechanicals scene for The Birthday, pared down to make it stand alone - no interjections from Theseus et al. I'm playing Moonshine, complete with lanthorn and dog (large white stuffed toy on a lead). I have three whole lines, each one a repetition, in part, of the last!

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