The one thing we can be sure of in life is that things will change. People come and go, workplaces alter, and the weather is a constant reminder of the basic unreliability of life. A lot of changes bring sadness, and even fortunate changes are stressful. All the same, isn't it nice when things look up a bit for a change?

I'm going through a period when positive things seem to be happening. First, there's the keen anticipation of the Worldcon - the World Science Fiction Convention - which will enliven the Melbourne Convention and Exhibition Centre from 2-6 September. I was among the first to put my money down, courtesy of a kind and generous friend, so I've been looking forward to this event for months.

There will be loads and heaps and tons of panels to attend, all featuring writers, publishers, artists, agents, editors and fans of note: names like Ellen Datlow, Cory Doctorow, Glenda Larke, Juliet Marillier, George R.R. Martin, China Mieville, Karen Miller, Charles Stross, Catherynne M. Valente, Sean Williams, and scores of others including the fabulous Guests of Honour: Kim Stanley Robinson, Shaun Tan and Robin Johnson. And I am even on a panel myself, with fellow Aussies Amanda Pillar, Crisetta McLeod and Tehani Wesley. Wow. Me. On a panel. At a Worldcon. Wow.

The problem is one of being spoilt for choice, as there are times when I shall want to attend two or three panels or events in the same time-slot. Not having mastered bi-location yet, I just won't be able to go to everything, but I'm darned well going to try!

You can find out all about "Aussiecon4" at http://www.aussiecon4.org.au/.

You will have gathered that I'm feeling pretty happy at present, and all the more so because I've had a couple of exciting things happen in the last few weeks. First, a well-known and widely respected literary agent from London opened his books to down-under writers who planned to attend Aussiecon4. I queried him by email and he was kind enough to not only look at my package, but to say a few complimentary things about my writing and to give me some very useful feedback. He even said nice things about my blog! And while he wasn't willing to represent my book "in its present form", his generous interest in my work was very encouraging.

Then, a couple of weeks later, I learnt that I'd been shortlisted for the Katharine Susannah Prichard Speculative Fiction Award. I only wound up with a commended certificate and a whole ten dollars in prize money, but to be in the top 10% of a large field in a respected competition feels like a validation of my work. My friend Carol Ryles won third prize. She's a better writer than I am, and more experienced, and having read her story, I know the competition was pretty fierce. I'd love to read the stories submitted by the first and second placegetters, Victorian writers Denis Bastion and Janeen Samuel. Fellow Egobooer Joanna Fay read the winning entry out loud, but sadly I was in South Australia so I didn't hear it.

So, in an optimistic frame of mind, I'm eagerly waiting to head off to Melbourne in ten days' time to see and maybe even meet some of the greats in my chosen genre; to catch up with old friends and meet new ones, and to put faces to the names of some of the many lovely people I've previously only "met" online. Be assured that I'll be back with a blow-by-blow commentary in a couple of weeks!

BTW, those of you who are interested in such trivia might like to check out a post I wrote for the Egoboo blog last week about the different kinds of adjectives, the proper order for them, and when to use and not to use commas while doing so. Fascinating stuff, I assure you!:-)

I came back to Perth especially to attend Swancon, and a friend has very kindly put me up for the nonce, since my first housesit doesn’t start until Thursday. I have house-sitting or other accommodation lined up for the next three months, so I shall avoid at least half of Mount Gambier’s beastly rotten horrible cold wet winter.

Are you wondering what “Swancon” is? It’s Perth’s annual Speculative Fiction convention. Easter every year is special for Perth fans. We descend on a hotel — for the last few years it’s been the All Seasons in Northbridge — to play RPGs, to listen to speakers, to socialize and to dress up for the masquerade that’s held on the Saturday night. There is always a Guest of Honour from overseas (this year it was American Scott Sigler) and an Aussie Guest of Honour (Ian Irvine from NSW filled that role for 2010). They are both interesting speakers who are keen to advise and assist less experienced writers. Scott Sigler had us all enthused about the benefits of self-publishing (he’s one of the rare birds who gained contracts with publishing houses via that route and has now become a bestselling author) while Ian Irvine offered useful tips on writing and publishing, as did other authors including Narrelle Harris, Richard Harland, Dave Luckett and Stephen Dedman. These are the panels I love best and I find it a great privilege to sit at the feet of writers who have made it to the revered status of professionally published author!

As last year, I was on a Romance panel, again with Juliet Marillier, one of my favourite authors, who won the Tin Duck, a prize awarded by popular vote to the WA author who has had material published in the last year. Juliet won the trophy for her novel “Heart’s Blood”. Three other friends — Laney Cairo, fellow Egobooer Sarah Parker and fan Samara Morgan — were on the panel with Juliet and me, and despite a certain amount of sometimes overwhelmingly enthusiastic participation from the audience I think we gave a pretty good account of ourselves:-)

There were book launches, too, notably Belong, an anthology about finding and acknowledging one’s true home, and Scary Kisses, a good fun blend of vampires and other shape-shifters with suspense, horror and humour. Both are published by Ticonderoga. Several friends and colleagues, including Annette Backshall, Astrid Cooper, Carol Ryles, Donna Maree Hanson, Felicity Dowker, Nicole Murphy, Patty Jansen, Simon Petrie and Sonia Helbig have works in one or other of these anthologies. Scary Kisses will be reviewed in the April issue of The Specusphere, which goes live this Sunday. We hope to have a review of Belong ready for the June issue.

Swancon’s all over until next Easter, but meantime I’m eagerly looking forward to the Katharine Susannah Prichard SF group’s mini-con on 2 May and the much-anticipated Worldcon in Melbourne in September.

Another interview today: this time with Carol Ryles; writer, nurse, mother, scholar, trekker, crit buddy extraordinaire and one of the most modest people I know. Carol, like my last guest, Sarah Parker, is a member of the Katharine Susannah Prichard Speculative Fiction Group. She is studying for a PhD in creative writing at the University of Western Australia, and we can expect to see a novel or three at the end of all her hard work. Meantime, you will find her short stories in a variety of publications both in Oz and elsewhere.

Q1. Carol, you're a person who has successfully undertaken many different projects, both personally and professionally, during your adult life. You have been writing for some ten or fifteen years now. At what point did you decide to start taking your writing seriously rather than regarding it as "just a hobby"?

A1. I began to take writing seriously when I decided to switch from journal writing to fiction writing in 1997. However, back then, my children were aged three, five and eight, I'd just moved from Brisbane to Perth, and my writing time was very limited. Then in 2000, when my youngest started school, I decided I wanted to study, so the next 8 years were spent studying part time for an English BA with honours. At the time, it was frustrating because at most I could only manage to finish four stories a year even though I messed around writing a lot more. But now I've finished my BA, I can say it was all worth it. I think much more deeply about what I'm writing these days and, now I have a scholarship to keep me going through my PhD in creative writing, I have no excuse not to devote a full five days a week to writing.

Q2. You're obviously an adventurous person, being keen on sports such as cave diving and trekking. Do you find this kind of edgy contact with nature inspires or informs your writing in any way?

A2. During my recent trip on the Routeburn Track in NZ, I took a writing journal with me. In the end, I wrote very little, because all I wanted to do was walk, enjoy and gaze (or perhaps meditate) for hours at the scenery. I'd love to set a story in wilderness like I saw on the Routeburn. Even though Peter Jackson has already done that, I did manage to see at least one place that didn't remind me of LOTR :) When I look back on my scuba diving journals (1980s), I find lots of descriptions of what I saw, but what really makes me relive it all are the pages and pages dedicated to the times I found myself in potential trouble, such as being surrounded by reef sharks, or nearly running out of air on the seabed in a strong current, or nearly getting dynamited in the South China Sea. It's then that I'm reminded how it feels to be running on adrenaline when only moments before I'd been at peace with the world, and how, in wild places, there's a very fine line separating safety from danger. That boundary is a place I've been exploring a lot in my fiction of late. So I guess, it's not so much the places themselves that have inspired the stuff I'm writing now, but the ways in which those places made me feel.

Q3. It's possible to track your writing career since 1998, when you were highly commended in the first Katharine Susannah Prichard Speculative Fiction competition. Since then, you've gone from strength to strength, more shortlistings and highly commendeds and then winning the KSP competition in 2004. You were given an honourable mention in the Aurealis Award and shortlisted for the Australian Shadow Awards in 2006, and in 2007 you completed an honours degree in English. Then in 2008 you not only started working towards a PhD but you were also accepted for the Clarion West "bootcamp" in Seattle, USA. Of all these endeavours, which has held the most meaning and sense of achievement for you?

A3. All of them surprised the hell out of me, especially the KSP award in 1998 because that was my first serious attempt at writing SF. I can't say which endeavour has held the most meaning, because they all mean different things. But right now Clarion West holds a special place because it was something I'd wanted to do since I first heard about it 10 years ago. It was also the first time I'd left my family to fend for themselves, though they're mostly grown up now, but it was great to see they coped. Also, I was terrified I wouldn't be able to deliver a story every week only to have each one pulled to pieces. In the end I amazed myself by doing just that. The one thing I loved about writing under Clarion conditions is that, not only do your writing strengths shine, but so do your weaknesses. As a result, you spend an entire six weeks figuring out the hows, whys and wherefores. Now I'm home again, I look back on the whole experience as a huge privilege that taught me more than I could have ever learned tapping away at a keyboard on my own. It gave me confidence to keep going and try new things. Plus Seattle is a lovely city, with a generous and vibrant SF community. I came home full of new ideas, new ambitions, my batteries recharged and ready to start my PhD.

Q4. You've had many short stories published both here and overseas. Are you particularly proud of, or do you feel especially attached to, any one of them?

A4. For the amount of time that's elapsed since I started writing fiction, I haven't really published a huge number of stories: a couple in Eidolon, a couple with CSFG, one with Ticonderoga Online, another with Fables & Reflections and three or four in ezines such as AntiSF. I've written a whole stack more, but I haven't bothered sending them out anywhere because I don't like them enough for that. That's probably a defeatist attitude, but I could always see my early stories were flawed and couldn't figure out how to fix them. Again, Clarion has done a lot to help me in that area. Of all my stories, I think my favourite is "The Bridal Bier" (Eidolon 1 Anthology), which I wrote during a uni study break when I hadn't written any fiction for months and it felt wonderful letting the muse take over. It was actually a fictional rewriting of an essay I was working on and I loved the way my unconscious self reinterpreted what my conscious self was trying to make sense of. I'm also proud of my Clarion stories, which I plan to bring up to scratch before sending out this year. I wrote them during the equivalent of a major panic and, though they've yet to prove themselves, they've taught me a lot about myself as well as about my writing.

Q5. What are your goals for the next decade, and what most motivates you to achieve them?

A5. My writing goals for the next decade are to write every day, finish my novel, turn it into a trilogy, keep writing and submitting short stories and not give up. My trekking goals include a lot of kilometres in wild places with mountains, forests, mud and rain. And definitely no sharks.

No sharks, and no dynamite either, Carol. We want to read that trilogy:-)

You can find a link To Carol's LJ in my blogroll.

Another reason I’ve been so utterly flat out of late is my involvement in preparations for the Katharine Susannah Prichard Writers Centre Mini-con. It’s been hectic, but we’re nearly there now. Here’s a run down of the goodies you’ll find – or miss, if you don’t live in Perth!

10.00 am: "How to Handle Rejections"
Panellists: Adrian Bedford, Russell Farr, Simon Haynes and Bevan McGuiness
followed by readings from Sonia Helbig and Helen Venn

11.00 am: "Clarions; gains and losses":
Panellists: Lee Battersby, Lyn Battersby, Carol Ryles, Helen Venn and Jessica Vivien
followed by readings from Jo Mills and Elaine Kemp

12.00 noon: "What's Hot and What's Not - trends in Speculative Fiction":
Panellists: Elaine Kemp, Alisa Krasnostein, Ian Nichols and Grant Stone
followed by readings from Juliet Marillier and Ian Nichols

1.00 pm: "Lies, Damned Lies and Research":
Panellists: Dave Luckett, Hal Colebatch, Satima Flavell and Juliet Marillier
followed by readings from Hal Colebatch and Dave Luckett

2.00 pm: "Hooks and Sinkers - writing a killer first line"
Panellists: Adrian Bedford, Stephen Dedman, Russell Farr and Bevan McGuiness
followed by readings from Adrian Bedford and Stephen Dedman

3.00 pm: "Steampunk"
Panellists: Toby Coulstock; John Parker; Carol Ryles and Grant Stone
followed by readings from Deb Ratcliffe and Carol Ryles

4.00 pm:"How to get out of the Slushpile":
Panellists: Lyn Battersby, Janet Blagg, Stephen Dedman; Alisa Krasnostein; Tehani Wessely
followed by Q&A and wind-up.

I'm proud and happy to be involved an event with so many of my friends, mentors and favourite writers. It should be a wonderful day. Do come if you can!

I’ve spent a happy weekend hanging out at the Conflux Mini-con. This is a great idea: a precursor to the live convention and a wonderful second-best for people who, like me, can’t get to Canberra. I lurked around and occasionally commented on discussions led by some articulate and entertaining people including Jack Dann, Simon Haynes, Bruce Gillespie, Glenda Larke, Sharyn Lilley, Karen Miller, Marianne de Pierres, Gillian Polack, Cat Sparks and Sean Williams. Writers and fans from all over the world joined in. One new e-buddy, Pema Lloyd, from Tucson, Arizona, stayed up all night so she didn’t have to miss any panels! Now that’s dedication for you. If you’d like to read the words of wisdom that were bandied about, go to the Conflux forum and check out the entries. And bookmark the page for next year! On another part of the site you can even download recorded talks from last year’s Conflux.

Congratulations are due to the team, comprising Phill Berrie, Stephen Herring, Nicole Murphy and Gillian Polack. I'm looking forward to next year already.

In between the great discussions at Conflux, I've been planning a mini-con of my own. Well, not just mine, you understand, but mine and a few other people's brainchild - (Ta Da!) - The KSPSF Mini-con!

We held the first one of these two years ago and it was successful beyond our wildest dreams. We thought maybe twenty or thirty people would show up, but in fact half Perth fandom appeared to be there. Trouble was, it rained, and activities planned for out-of-doors had to be held indoors. This time we've planned it for later in the year so hopefully the overcrowding won't happen.

Confirmed panellists include Adrian Bedford, Janet Blagg, Lee Battersby, Lyn Battersby, Hal Colebatch, Stephen Dedman, Russell Farr, Simon Haynes, Elaine Kemp, Alisa Krasnostein, Martin Livings, Dave Luckett, Bevan McGuiness, Juliet Marillier, Ian Nichols, John Parker, Grant Stone and Tehani Wessely.

Our Fearless Leader, Helen Venn, has set up a blog for the minicon here. I've linked to the site (see left)so you can check for updates about guests, food, books for sale, activities etc as they are added to the schedule. It should be a great day - and guess what? Just one gold coin will get you in! A cheap lunch will be available as well as ongoing refreshments. If you live in Perth or not too far away, write it in your diary now - Sunday 21 September, 10.00am-5.00pm. Barring a naked orgy in the woods, what better way to spend the Equinox?