About Me
- Satima Flavell
- Perth, Western Australia, Australia
- I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.
My books
The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places.
The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell
Buy The Talismans
The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation.
The easiest way to contact me is via Facebook.
The Dagger of Dresnia
The Cloak of Challiver, Book two of The Talismans
Mythic Resonance
Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon.
Got a Kindle? Check out Mythic Resonance.
Follow me on Twitter
Share a link on Twitter
For Readers, Writers & Editors
- A dilemma about characters
- Adelaide Writers Week, 2009
- Adjectives, commas and confusion
- An artist's conflict
- An editor's role
- Authorial voice, passive writing and the passive voice
- Common misuses: common expressions
- Common misuses: confusing words
- Common misuses: pronouns - subject and object
- Conversations with a character
- Critiquing Groups
- Does length matter?
- Dont sweat the small stuff: formatting
- Free help for writers
- How much magic is too much?
- Know your characters via astrology
- Like to be an editor?
- Modern Writing Techniques
- My best reads of 2007
- My best reads of 2008
- My favourite dead authors
- My favourite modern authors
- My influential authors
- Planning and Flimmering
- Planning vs Flimmering again
- Psychological Spec-Fic
- Readers' pet hates
- Reading, 2009
- Reality check: so you want to be a writer?
- Sensory detail is important!
- Speculative Fiction - what is it?
- Spelling reform?
- Substantive or linking verbs
- The creative cycle
- The promiscuous artist
- The revenge of omni rampant
- The value of "how-to" lists for writers
- Write a decent synopsis
- Write a review worth reading
- Writers block 1
- Writers block 2
- Writers block 3
- Writers need editors!
- Writers, Depression and Addiction
- Writing in dialect, accent or register
- Writing it Right: notes for apprentice authors
Interviews with authors
My Blog List
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Favourite Sites
- Alan Baxter
- Andrew McKiernan
- Bren McDibble
- Celestine Lyons
- Guy Gavriel Kay
- Hal Spacejock (Simon Haynes)
- Inventing Reality
- Jacqueline Carey
- Jennifer Fallon
- Jessica Rydill
- Jessica Vivien
- Joel Fagin
- Juliet Marillier
- KA Bedford
- Karen Miller
- KSP Writers Centre
- Lynn Flewelling
- Marianne de Pierres
- Phill Berrie
- Ryan Flavell
- Satima's Professional Editing Services
- SF Novelists' Blog
- SF Signal
- Shane Jiraiya Cummings
- Society of Editors, WA
- Stephen Thompson
- Yellow wallpaper
Blog Archive
Places I've lived: Manchester, UK
Places I've lived: Gippsland, Australia
Places I've lived: Geelong, Australia
Places I've lived: Tamworth, NSW
Places I've Lived - Sydney
Places I've lived: Auckland, NZ
Places I've Lived: Mount Gambier
Places I've lived: Adelaide, SA
Places I've Lived: Perth by Day
Places I've lived: High View, WV
Places I've lived: Lynton, Devon, UK
Places I've lived: Braemar, Scotland
Places I've lived: Barre, MA, USA
Places I've Lived: Perth by Night
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Friday 6 April 2007
Casting the Net
Friday, April 06, 2007 |
Posted by
Satima Flavell
Each day seems to bring a new place to visit. Sometimes it is nearby, sometimes it is miles away, but every destination has its own charm.
On Wednesday afternoon Renate took me to see Germania, a huge statue erected between 1887-1883 to celebrate the first re-unification of Germany. The crowning figure alone is over 10 metres tall and the tiered plinth, which is decorated with life-size figures in bas-relief of Kaiser Wilhelm I and other German leaders of the time, is 25 metres high. Built high on a peak above Rüdesheim and overlooking almost half the Rhine Valley, the Germania precinct offers some of the most spectacular views imaginable. Whole villages are spread at the viewer's feet, interspersed with vineyards and forests and punctuated with fortresses. As if this were not enough, Germania's backdrop is a recreation of an English country park dating from the 1780s. Very much in the style of Capability Brown and his successors, the artful wilderness includes unexpected delights among the trees; charming "follies" such as a pavilion in the style of a Greek temple, a tiny castle and a tunnel with twists and turns that opens onto an unexpected gap in the vegetation, affording a tantalising glimpse of the river. The count's old hunting lodge has been turned into a hotel, which now farms its own venison. A falconry is situation close to Germania and now and then one can see falcons and even eagles flying free.
Birds of prey are not the only interesting wildlife in the Rheingau. There are badgers and weasels and otters and owls, pine martens, squirrels and hedgehogs and hares. All can be seen occasionally in the wild. This morning, Good Friday, Elfriede was delighted that a hare ran across the garden, no doubt on his way to collect eggs for delivery on Sunday. Here the chocolate variety still takes second place to the real thing. With shells beautifully decorated, Easter eggs can be bought in the shops and the German equivalent of the Egg Marketing Board advertises them widely. Many people like to decorate their own eggs at home but increasingly, the chocolate delicacies we are used to seeing in English-speaking countries are ousting the hard boiled kind.
Yesterday Elfriede took me to Mainz to tick off a few more architectural and historical delights. We visited four churches. The first one, that of St Christopher, we came across quite by accident while trying to find the Cathedral. It was built in the early C14 and stood for over 600 years before being bombed in WWII. Gutenberg, Mainz's most famous son, was presumably baptised there, since his family is known to have lived nearby. The shell of the church is still standing and has been preserved, with a small chapel in what must once have been a vestry, as a memorial to civilians killed in war. Next we headed for the impressive Mainz Cathedral. Dedicated to St Martin and St Stephen, it has a long and glorious history. An ancient church stood there even before 1000AD and under the guidance of Archbishop Willigis, a new edifice was built early in the second millenium. Sadly, it was barely finished before it was severely damaged by fire, but Willigis, undaunted, ordered a rebuild. He died well before it was completed but is remembered as the founder. A wheelwright's son, Willigis took the product of his trade as his insignia, lest he forget his humble origins, and this device forms part of every coat of arms in the Rhinegau, for the entire valley fell under the rulership of the Archbishop of Mainz until Napoleon's invasion of 1805. Some archbishops were good and charitable men, while others were little better than the robber barons they sought to rule. One of them, Hatto by name, set up toll castles to fleece the traders who used the river as their highway. He also levied huge corn tithes on the peasantry, who were supposedly free men under the archbishops rule, but they were less free under Hatto than many who laboured under a secular lord.
After paying our repects at the cathedral, Elfriede and I determinedly heaved ourselves uphill to St Stephen's church. The sainted Archbishop Willigis is buried here, but St Stephen's is even more famous for its utterly lovely stained glass. No medieval dies irae stuff here: these gorgeous blue windows are a celebration of life that somehow manages to fit in beautifully with the church's C13 architecture. The orginal building was destroyed and rebuilt many times, most recently after the devastation of WWII, and in 1973 the parish priest, Fr Klaus Mayer, sought to embellish the church with new windows that would not only serve as a token of friendship between France and Germany, but also as a symbol of hope for the reconciliation between Christians and Jews after the horrors of the holocaust. He approached Marc Chagall, who willingly undertook the work despite the fact that he was approaching his tenth decade of life. The aqua shades that form a background to the biblical figures depicted in the apse windows give the church a unique beauty. Chagal completed the six windows of the apse and recommended the services of Charles Marq for those in the body of the church. Executed in similar style and in the same kind of blue shades, these are abstract rather than pictorial and complement Chagall's work perfectly. Chagall died shortly after completing the oeuvre in 1985. He was then 98 years old!
Retracing our steps and marvelling at the wonders we'd seen in St Stephen's, Elfriede and I broke our church-crawl to admire quite a different kind of artwork: the metal fountain of the Fastnachtsbrunner. Burgeoning with figurines from the Carnival, this work demands close examination for the viewer to fully appreciate its almost infinite variety. Nearby we paused in the Gutenbergplatz to worship at the shrine of the man who invented moveable type and to stand on the narrow band that marks the 50th degree of latitude. From there we gazed in awe at the 1829 State Theatre with its surprisingly modern facade. The Mainz Ballet is about to begin a season and the posters reminded me of the several friends and teachers from my earlier days who worked with that excellent company.
Our last port of call was the church of St Quentin, whose sanctuary looks almost like a Greek temple with its pillars and marble canopy. It also contains some very fine wood carvings, but I was pretty much cultured out of my brain by this point and was more interested in the Bretzel Elfriede purchased from a market stall for us to munch on the way back to the car. Mmm...
On Wednesday afternoon Renate took me to see Germania, a huge statue erected between 1887-1883 to celebrate the first re-unification of Germany. The crowning figure alone is over 10 metres tall and the tiered plinth, which is decorated with life-size figures in bas-relief of Kaiser Wilhelm I and other German leaders of the time, is 25 metres high. Built high on a peak above Rüdesheim and overlooking almost half the Rhine Valley, the Germania precinct offers some of the most spectacular views imaginable. Whole villages are spread at the viewer's feet, interspersed with vineyards and forests and punctuated with fortresses. As if this were not enough, Germania's backdrop is a recreation of an English country park dating from the 1780s. Very much in the style of Capability Brown and his successors, the artful wilderness includes unexpected delights among the trees; charming "follies" such as a pavilion in the style of a Greek temple, a tiny castle and a tunnel with twists and turns that opens onto an unexpected gap in the vegetation, affording a tantalising glimpse of the river. The count's old hunting lodge has been turned into a hotel, which now farms its own venison. A falconry is situation close to Germania and now and then one can see falcons and even eagles flying free.
Birds of prey are not the only interesting wildlife in the Rheingau. There are badgers and weasels and otters and owls, pine martens, squirrels and hedgehogs and hares. All can be seen occasionally in the wild. This morning, Good Friday, Elfriede was delighted that a hare ran across the garden, no doubt on his way to collect eggs for delivery on Sunday. Here the chocolate variety still takes second place to the real thing. With shells beautifully decorated, Easter eggs can be bought in the shops and the German equivalent of the Egg Marketing Board advertises them widely. Many people like to decorate their own eggs at home but increasingly, the chocolate delicacies we are used to seeing in English-speaking countries are ousting the hard boiled kind.
Yesterday Elfriede took me to Mainz to tick off a few more architectural and historical delights. We visited four churches. The first one, that of St Christopher, we came across quite by accident while trying to find the Cathedral. It was built in the early C14 and stood for over 600 years before being bombed in WWII. Gutenberg, Mainz's most famous son, was presumably baptised there, since his family is known to have lived nearby. The shell of the church is still standing and has been preserved, with a small chapel in what must once have been a vestry, as a memorial to civilians killed in war. Next we headed for the impressive Mainz Cathedral. Dedicated to St Martin and St Stephen, it has a long and glorious history. An ancient church stood there even before 1000AD and under the guidance of Archbishop Willigis, a new edifice was built early in the second millenium. Sadly, it was barely finished before it was severely damaged by fire, but Willigis, undaunted, ordered a rebuild. He died well before it was completed but is remembered as the founder. A wheelwright's son, Willigis took the product of his trade as his insignia, lest he forget his humble origins, and this device forms part of every coat of arms in the Rhinegau, for the entire valley fell under the rulership of the Archbishop of Mainz until Napoleon's invasion of 1805. Some archbishops were good and charitable men, while others were little better than the robber barons they sought to rule. One of them, Hatto by name, set up toll castles to fleece the traders who used the river as their highway. He also levied huge corn tithes on the peasantry, who were supposedly free men under the archbishops rule, but they were less free under Hatto than many who laboured under a secular lord.
After paying our repects at the cathedral, Elfriede and I determinedly heaved ourselves uphill to St Stephen's church. The sainted Archbishop Willigis is buried here, but St Stephen's is even more famous for its utterly lovely stained glass. No medieval dies irae stuff here: these gorgeous blue windows are a celebration of life that somehow manages to fit in beautifully with the church's C13 architecture. The orginal building was destroyed and rebuilt many times, most recently after the devastation of WWII, and in 1973 the parish priest, Fr Klaus Mayer, sought to embellish the church with new windows that would not only serve as a token of friendship between France and Germany, but also as a symbol of hope for the reconciliation between Christians and Jews after the horrors of the holocaust. He approached Marc Chagall, who willingly undertook the work despite the fact that he was approaching his tenth decade of life. The aqua shades that form a background to the biblical figures depicted in the apse windows give the church a unique beauty. Chagal completed the six windows of the apse and recommended the services of Charles Marq for those in the body of the church. Executed in similar style and in the same kind of blue shades, these are abstract rather than pictorial and complement Chagall's work perfectly. Chagall died shortly after completing the oeuvre in 1985. He was then 98 years old!
Retracing our steps and marvelling at the wonders we'd seen in St Stephen's, Elfriede and I broke our church-crawl to admire quite a different kind of artwork: the metal fountain of the Fastnachtsbrunner. Burgeoning with figurines from the Carnival, this work demands close examination for the viewer to fully appreciate its almost infinite variety. Nearby we paused in the Gutenbergplatz to worship at the shrine of the man who invented moveable type and to stand on the narrow band that marks the 50th degree of latitude. From there we gazed in awe at the 1829 State Theatre with its surprisingly modern facade. The Mainz Ballet is about to begin a season and the posters reminded me of the several friends and teachers from my earlier days who worked with that excellent company.
Our last port of call was the church of St Quentin, whose sanctuary looks almost like a Greek temple with its pillars and marble canopy. It also contains some very fine wood carvings, but I was pretty much cultured out of my brain by this point and was more interested in the Bretzel Elfriede purchased from a market stall for us to munch on the way back to the car. Mmm...
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