About Me
- Satima Flavell
- Perth, Western Australia, Australia
- I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.
My books
The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places.
The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell
Buy The Talismans
The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation.
The easiest way to contact me is via Facebook.
The Dagger of Dresnia
The Cloak of Challiver, Book two of The Talismans
Mythic Resonance
Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon.
Got a Kindle? Check out Mythic Resonance.
Follow me on Twitter
Share a link on Twitter
For Readers, Writers & Editors
- A dilemma about characters
- Adelaide Writers Week, 2009
- Adjectives, commas and confusion
- An artist's conflict
- An editor's role
- Authorial voice, passive writing and the passive voice
- Common misuses: common expressions
- Common misuses: confusing words
- Common misuses: pronouns - subject and object
- Conversations with a character
- Critiquing Groups
- Does length matter?
- Dont sweat the small stuff: formatting
- Free help for writers
- How much magic is too much?
- Know your characters via astrology
- Like to be an editor?
- Modern Writing Techniques
- My best reads of 2007
- My best reads of 2008
- My favourite dead authors
- My favourite modern authors
- My influential authors
- Planning and Flimmering
- Planning vs Flimmering again
- Psychological Spec-Fic
- Readers' pet hates
- Reading, 2009
- Reality check: so you want to be a writer?
- Sensory detail is important!
- Speculative Fiction - what is it?
- Spelling reform?
- Substantive or linking verbs
- The creative cycle
- The promiscuous artist
- The revenge of omni rampant
- The value of "how-to" lists for writers
- Write a decent synopsis
- Write a review worth reading
- Writers block 1
- Writers block 2
- Writers block 3
- Writers need editors!
- Writers, Depression and Addiction
- Writing in dialect, accent or register
- Writing it Right: notes for apprentice authors
Interviews with authors
My Blog List
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Favourite Sites
- Alan Baxter
- Andrew McKiernan
- Bren McDibble
- Celestine Lyons
- Guy Gavriel Kay
- Hal Spacejock (Simon Haynes)
- Inventing Reality
- Jacqueline Carey
- Jennifer Fallon
- Jessica Rydill
- Jessica Vivien
- Joel Fagin
- Juliet Marillier
- KA Bedford
- Karen Miller
- KSP Writers Centre
- Lynn Flewelling
- Marianne de Pierres
- Phill Berrie
- Ryan Flavell
- Satima's Professional Editing Services
- SF Novelists' Blog
- SF Signal
- Shane Jiraiya Cummings
- Society of Editors, WA
- Stephen Thompson
- Yellow wallpaper
Blog Archive
Places I've lived: Manchester, UK
Places I've lived: Gippsland, Australia
Places I've lived: Geelong, Australia
Places I've lived: Tamworth, NSW
Places I've Lived - Sydney
Places I've lived: Auckland, NZ
Places I've Lived: Mount Gambier
Places I've lived: Adelaide, SA
Places I've Lived: Perth by Day
Places I've lived: High View, WV
Places I've lived: Lynton, Devon, UK
Places I've lived: Braemar, Scotland
Places I've lived: Barre, MA, USA
Places I've Lived: Perth by Night
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Monday, 2 April 2007
Hopfen und Malz - Gott erhalt's
Monday, April 02, 2007 |
Posted by
Satima Flavell
The above header is a phrase I came across yesterday, written on the till of a delightful restaurant in the village of Kestert. It means, roughly, "May God protect hops and malt" and after a tall glass of the local shandy, known as "Radler", I concurred most heartily with the sentiment. The food was excellent, too.
Sam, Elfriede and I were in Lorelei country, the eastern bank of the ravine that marks the end of the Rhine Valley proper. Here, so legend has it, a beautiful maiden sits atop a slate cliff and sings sailors to their doom, just like the Sirens of old. The photo above is of the cliff she is said to haunt and the one to the left is the stunning view from her home.
Lorelei didn't favour us with an appearance on the clifftop so we contented ourselves with a trek to her statue, which crowns a man-made (or at least man-enhanced) breakwater just beyond her reputed haunts. Heights, even two metre ones, are simply not my preferred adventure playgrounds, so I gritted my teeth and stuck to the middle of the path along the breakwater and held on tightly to Elfriede and Sam when we got to the narrow neck that projects beyond the enormous statue. I transferred my grasp to the statue's rocky base and forced a smile for the camera, just to prove I'd been there! My friends rewarded me with the above-mentioned delicious meal at the Kröne Hotel.
We then proceeded to Marksburg, a restored medieval castle that overlooks the town of Braubach. This former lead-mining centre snuggles amid mountains that reach almost to the waterfront, heralding the steep climb to the castle. Fortunately there's a good road these days (although parking along the edge of a ridge was pretty alarming!) and it's possible to take an easy stroll up to the gates via a service road if you don't fancy the myriad steps. (We didn't.)
A stroke of luck accompanied us in the form of a gaggle of teenagers from Reading, England, out on a German language class expedition. Now maybe the company of twenty-odd Year 10 students doesn't appeal to all persons of mature years, but this was a great bunch (the boys, especially, were very impressed with crossbows and cannons) and they let us join their guided tour, conducted by Nora, a fluent English speaker. She led us through a veritable maze of passages and stairways to view a wine cellar, a kitchen, a sleeping chamber, a privy, a crafts room, a chapel and an armourers' workshop before taking us around an exhibition of arms and armour. All the rooms were furnished with the basic essentials of medieval life (although some elements were from the C16-C17 era) and there was even a glass case of archeological finds, including shoes and small implements. The whole outing was a joy to one who loves the medieval period and historical fantasy. The many Rhine legends that Elfriede recounted in the car were the stuff of inspiration, too.
Of course, there was the odd hair-raising moment. There was a narrow, winding staircase leading from the beautifully vaulted chapel to the open air and I had visions of getting stuck and having to stay there while they dismantled the castle brick by brick to release me. It was the priest's exit route and all I can say is they must have auditioned for particularly little priests. One-fifty centimetres and 45 kilos would be the required size, I reckon. And of course, I had to get left behind, didn't I, due to my determination to get photos of the armaments. Nora had warned us when we arrived that we would be locked in if we lingered, and to make her point, she waved an enormous key. I thought the implement was merely for show, but no, it was for real. By the time I'd got my pics the students, their teacher and my friends has disappeared and I was stuck among a new party under a German speaking guide, who also had one of the enormous keys and was waving it threateningly at her charges: no teenagers this time but serious group of Mature Persons, possibly from the U3A or its German counterpart. My German is almost non-existent, but it was obvious that the serious group's equally serious guide was using me as an object lesson on what happens to naughty tourists who don't stay with their companions. I felt about two inches tall as she shepherded me to the locked gate and without deigning to look at me or acknowledge my mortified "danke schön" released me from the perils of Marksburg.
I seem to have been disaster-prone since leaving the Land of Oz. I won't embarrass myself or bore you with tales of malfunctioning computers and blocked toilets, but I will warn you to make sure all your cosmetics are safely packed in plastic bags when flying in this part of the world. If you don't, you risk being pulled up at the x-ray machine and having your goods and chattels gone over with a fine tooth comb while they make sure you're not carrying any explosives. While it's reassuring to know that the customs officials of Europe are well and truly on the ball, it's hard to understand why they think a plastic bag will be any better than a plastic-lined cosmetics purse in foiling the intentions of terrorists. Never mind, I made the flight in time and less than an hour later I was drinking my first cappuchino in Germany. Imagine; in the same time as a flight from Adelaide to Mount Gambier you are in a different culture, a different world. The world of the Lorelei.
The photos above are all from Wikipedia. BTW, I haven't yet photographed the church at Geisenheim, although I've visited it and was most impressed. Every village church here, it seems, is the size of your average cathedral. However, at the end of a long day checking out the haunts of Hildegarde of Bingen, a woman whom I have long admired, my camera's battery gave up the ghost when I asked it for a shot of the Geisenheim font. Elfriede has promised to take me again, but it won't be until later in the week as tomorrow she & I are going to Luxembourg! Then on Wednesday her sister Renate has kindly offered to take me to still another medieval village, Bacharach. What was I saying last time about hoping my good karma won't all get used up? Surely there can't be much left!
Sam, Elfriede and I were in Lorelei country, the eastern bank of the ravine that marks the end of the Rhine Valley proper. Here, so legend has it, a beautiful maiden sits atop a slate cliff and sings sailors to their doom, just like the Sirens of old. The photo above is of the cliff she is said to haunt and the one to the left is the stunning view from her home.
Lorelei didn't favour us with an appearance on the clifftop so we contented ourselves with a trek to her statue, which crowns a man-made (or at least man-enhanced) breakwater just beyond her reputed haunts. Heights, even two metre ones, are simply not my preferred adventure playgrounds, so I gritted my teeth and stuck to the middle of the path along the breakwater and held on tightly to Elfriede and Sam when we got to the narrow neck that projects beyond the enormous statue. I transferred my grasp to the statue's rocky base and forced a smile for the camera, just to prove I'd been there! My friends rewarded me with the above-mentioned delicious meal at the Kröne Hotel.
We then proceeded to Marksburg, a restored medieval castle that overlooks the town of Braubach. This former lead-mining centre snuggles amid mountains that reach almost to the waterfront, heralding the steep climb to the castle. Fortunately there's a good road these days (although parking along the edge of a ridge was pretty alarming!) and it's possible to take an easy stroll up to the gates via a service road if you don't fancy the myriad steps. (We didn't.)
A stroke of luck accompanied us in the form of a gaggle of teenagers from Reading, England, out on a German language class expedition. Now maybe the company of twenty-odd Year 10 students doesn't appeal to all persons of mature years, but this was a great bunch (the boys, especially, were very impressed with crossbows and cannons) and they let us join their guided tour, conducted by Nora, a fluent English speaker. She led us through a veritable maze of passages and stairways to view a wine cellar, a kitchen, a sleeping chamber, a privy, a crafts room, a chapel and an armourers' workshop before taking us around an exhibition of arms and armour. All the rooms were furnished with the basic essentials of medieval life (although some elements were from the C16-C17 era) and there was even a glass case of archeological finds, including shoes and small implements. The whole outing was a joy to one who loves the medieval period and historical fantasy. The many Rhine legends that Elfriede recounted in the car were the stuff of inspiration, too.
Of course, there was the odd hair-raising moment. There was a narrow, winding staircase leading from the beautifully vaulted chapel to the open air and I had visions of getting stuck and having to stay there while they dismantled the castle brick by brick to release me. It was the priest's exit route and all I can say is they must have auditioned for particularly little priests. One-fifty centimetres and 45 kilos would be the required size, I reckon. And of course, I had to get left behind, didn't I, due to my determination to get photos of the armaments. Nora had warned us when we arrived that we would be locked in if we lingered, and to make her point, she waved an enormous key. I thought the implement was merely for show, but no, it was for real. By the time I'd got my pics the students, their teacher and my friends has disappeared and I was stuck among a new party under a German speaking guide, who also had one of the enormous keys and was waving it threateningly at her charges: no teenagers this time but serious group of Mature Persons, possibly from the U3A or its German counterpart. My German is almost non-existent, but it was obvious that the serious group's equally serious guide was using me as an object lesson on what happens to naughty tourists who don't stay with their companions. I felt about two inches tall as she shepherded me to the locked gate and without deigning to look at me or acknowledge my mortified "danke schön" released me from the perils of Marksburg.
I seem to have been disaster-prone since leaving the Land of Oz. I won't embarrass myself or bore you with tales of malfunctioning computers and blocked toilets, but I will warn you to make sure all your cosmetics are safely packed in plastic bags when flying in this part of the world. If you don't, you risk being pulled up at the x-ray machine and having your goods and chattels gone over with a fine tooth comb while they make sure you're not carrying any explosives. While it's reassuring to know that the customs officials of Europe are well and truly on the ball, it's hard to understand why they think a plastic bag will be any better than a plastic-lined cosmetics purse in foiling the intentions of terrorists. Never mind, I made the flight in time and less than an hour later I was drinking my first cappuchino in Germany. Imagine; in the same time as a flight from Adelaide to Mount Gambier you are in a different culture, a different world. The world of the Lorelei.
The photos above are all from Wikipedia. BTW, I haven't yet photographed the church at Geisenheim, although I've visited it and was most impressed. Every village church here, it seems, is the size of your average cathedral. However, at the end of a long day checking out the haunts of Hildegarde of Bingen, a woman whom I have long admired, my camera's battery gave up the ghost when I asked it for a shot of the Geisenheim font. Elfriede has promised to take me again, but it won't be until later in the week as tomorrow she & I are going to Luxembourg! Then on Wednesday her sister Renate has kindly offered to take me to still another medieval village, Bacharach. What was I saying last time about hoping my good karma won't all get used up? Surely there can't be much left!
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